Main Gallery

525 West 24th Street
New York, NY 10011
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T (212) 627-6000
F (212) 627-5450

Summer Hours
Monday – Friday
10:00 a.m. – 6:00 p.m.

Open Hours
Monday – Friday
10:00 a.m. – 6:00 p.m.

Gallery 2

544 West 24th Street
New York, NY 10011
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T (212) 627-6100
F (212) 627-5450

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Summer Hours
Monday – Friday
10:00 a.m. – 6:00 p.m.

By appointment only
Monday – Friday
10:00 a.m. – 6:00 p.m.

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Jill McLennon, Assistant to Andrea Rosen

Andrea Cashman, Director

Trina Gordon, Director

Cory Nomura, Director

Samantha Sheiness, Director

Hannah Thunhorst, Assistant to the Sales Department

Teneille Haggard, Head Artist Liaison and Exhibitions Coordinator

Amy Ontiveros, Head of Communications and Artist Liaison

Phoebe Herland, Assistant to the Artist Liaison Department

Alexa Reid, Head Registrar

Caitlin Wood, Assistant Registrar

Jane Denton, Financial Director

Debra Stasi, Associate in the Financial Department


Benjamin Blumberg, Director of Exhibitions and Operations


Emilie Keldie, Foundation Director

Andrew Blackley, Archives Associate

Katherine Page, Gallery Administrator

Eunice Kim, Gallery Administrator

Shu Ming Lim

Philip Tan, Director of Archives and Media

About the Gallery

Andrea Rosen Gallery was inaugurated in January, 1990, with a seminal exhibition of work by Felix Gonzalez-Torres. This exhibition would set the pace and agenda for the entire program of the gallery: conceptually rigorous, fully aware of the responsibility of putting one's subjectivity in the public realm, and unafraid of actually being beautiful.

It has always been the goal of the gallery to retain a specific territory for each artist that we represent. What defines the artists as a group is that each, independently, is fully responsible to the medium of their choice and is fully questioning of the role that art plays in the contemporary social-political, and/or cultural arena.

We see the responsibility of the gallery as threefold: to work for the long-term development of each artist's career, acting as a liaison to international galleries and museums as well as placing works in collections; to create an historical archive for each artist; and to act as an accessible public space in which the exhibitions become an exemplary gesture of the power of subjectivity to the audience at large.