Main Gallery

525 West 24th Street
New York, NY 10011
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T (212) 627-6000
F (212) 627-5450

Please note our summer hours:

Monday – Friday
10:00 a.m. – 6:00 p.m.

Gallery 2

544 West 24th Street
New York, NY 10011
View Map

T (212) 627-6100
F (212) 627-5450

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Monday – Friday
10:00 a.m. – 6:00 p.m.

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Jill McLennon, Assistant to Andrea Rosen

Andrea Cashman, Director

Trina Gordon, Director

Cory Nomura, Director

Samantha Sheiness, Director

Hannah Thunhorst, Assistant to the Sales Department

Teneille Haggard, Head Artist Liaison and Exhibitions Coordinator

Rebekah Bowling, Artist Liaison and Associate Director

Amy Ontiveros, Artist Liaison

Lexie Jordan, Assistant to the Artist LIaison Department

Felicia Rossomando, Head Registrar

Alexa Reid, Registrar

Jane Denton, Financial Director

Andy Ehrenworth

Jay Yu, Bookkeeper

Francis Carlow, Director of Exhibitions and Operations


John Connelly, Director

Emilie Keldie, Director, Research and Archives

Andrew Blackley, Archives Associate

Tam Jumbala, Administrator

Caitlin Wood, Administrator

Lance Brewer, Photographer / Press and Design Coordinator

Renee Reyes, Image Specialist

About the Gallery

Andrea Rosen Gallery was inaugurated in January, 1990 with a seminal exhibition of work by Felix Gonzalez-Torres. This exhibition would set the pace and agenda for the entire program of the gallery; conceptually rigorous, fully aware of the responsibility of putting ones subjectivity in the public realm and unafraid of actually being beautiful.

It has always been the goal of the gallery to retain a specific territory for each artist that we represent. What defines the artists as a group is that each, independently, is fully responsible to the medium of their choice and is fully questioning of the role that art plays in the contemporary social-political, and/or cultural arena.

We see the responsibility of the gallery as three fold; to work for the long term development of each artists career, acting as a liaison to international galleries and museums as well as placing works in collections; to create an historical archive for each artist; and to act as an accessible public space in which the exhibitions become an exemplary gesture of the power of subjectivity to the audience at large.