Main Gallery

525 West 24th Street
New York, NY 10011
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T (212) 627-6000
F (212) 627-5450

 

Andrea Rosen Gallery is open by appointment. Please call the gallery for assistance.

Office Hours:
Monday – Friday
10:00 a.m. – 6:00 p.m.

Gallery 2

544 West 24th Street
New York, NY 10011
View Map

T (212) 627-6100
F (212) 627-5450
 

 

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Office Hours:
Monday – Friday
10:00 a.m. – 6:00 p.m.

 

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Staff

ANDREA ROSEN, President

Samantha Sheiness, Partner
Hannah Thunhorst, Associate
Katherine Page, Associate to Partners and Gallery Manager
Andrew Kachel, Associate Director of Archives and Special Projects

ARTIST LIAISON DEPARTMENT
Teneille Haggard, Partner and Head Artist Liaison
Laura Lupton, Artist Liaison
Brittni Zotos, Associate

 

 

EXHIBITIONS & OPERATIONS
Benjamin Blumberg, Director of Exhibitions and Operations
Caitlin Wood, Registrar
Calvin Miceli-Nelson, Project Manager/Exhibitions Registrar Associate

FINANCIAL DEPARTMENT
Debra Stasi, Financial Controller

FELIX GONZALEZ-TORRES FOUNDATION
www.felixgonzalez-torresfoundation.org
Emilie Keldie, Foundation Director

 

 

About the Gallery

Andrea Rosen Gallery was inaugurated in January, 1990, with a seminal exhibition of work by Felix Gonzalez-Torres. This exhibition would set the pace and agenda for the entire program of the gallery: conceptually rigorous, fully aware of the responsibility of putting one's subjectivity in the public realm, and unafraid of actually being beautiful.

It has always been the goal of the gallery to retain a specific territory for each artist that we represent. What defines the artists as a group is that each, independently, is fully responsible to the medium of their choice and is fully questioning of the role that art plays in the contemporary social-political, and/or cultural arena.

We see the responsibility of the gallery as threefold: to work for the long-term development of each artist's career, acting as a liaison to international galleries and museums as well as placing works in collections; to create an historical archive for each artist; and to act as an accessible public space in which the exhibitions become an exemplary gesture of the power of subjectivity to the audience at large.