55th Venice Biennale
curated by Massimiliano Gioni
June 1 - November 24, 2013
55th Venice Biennale
curated by Massimiliano Gioni
June 1 - November 24, 2013
55th Venice Biennale
curated by Massimiliano Gioni
June 1 - November 24, 2013
55th Venice Biennale
curated by Massimiliano Gioni
June 1 - November 24, 2013
September 14, 2014 - February 15, 2015
Temp Stop (Re'Search Wait'S)
Roamie View: History Enhancement (Re'Search Wait'S)
Ready (Re'Search Wait'S)
The Re'Search (Re'Search Wait'S)
K-CorealNC.K (section a)
Sibling Topics (section a)
P.opular Sky (section ish)
The Generational Triennial: Younger Than Jesus
New Museum, NY
April 8 - July 12, 2009
Hammer Projects: Ryan Trecartin
A Family Finds Entertainment
Still from: (Tommy Chat Just E-mailed Me.), 2006
Wayne's World, 2003
What's The Love Making Babies For
The Friendliest Survival Planner Yet (2015) Animation Companion
Arrive Alive Tickle Pets (2015) Animation Companion
Born 1981 in Webster, Texas
Lives and works in Los Angeles, California
BFA, Rhode Island School of Design, Providence, Rhode Island
SELECTED SOLO EXHIBITIONS
9th Berlin Biennale, Berlin, Germany, June 4–September 18
Lizzie Fitch/Ryan Trecartin, Andrea Rosen Gallery, New York, March 19–April 16
Ryan Trecartin 6 Movies, Art Gallery of Western Australia, Perth, Australia, February 5–May 8
Lizzie Fitch/Ryan Trecartin: Priority Innfield, La Casa Encendida, Madrid, Spain, February 4 –April 24 (travels to Musée d'art Contemporarin de Montréal, Canada, June 22 – September 11
Re’Search Wait’S, NGV International, Melbourne, Australia, May 15 – September 13
Ryan Trecartin/Lizzie Fitch, Regen Projects, Los Angeles, CA, October 22 – November 26
Ryan Trecartin/Lizzie Fitch, Zabludowicz Collection, London, UK, October 2 – December 21
Ryan Trecartin: SITE VISIT, Kunst-Werke Institute for Contemporary Art, Berlin, Germany, September 14, 2014 – January 11, 2015
Ryan Trecartin and Lizzie Fitch, with Rhett Larue, Showroom MAMA, Rotterdam, Netherlands, curated by Gerben Willers, January 21–March 11
Ryan Trecartin / Lizzie Fitch, Musée d/Art Moderne de la Ville de Paris, Paris, France, curated by Odile Burluraux, October 18 January 8, 2012 (cat.)
Ryan Trecartin: Any Ever, Museum of Contemporary Art, North Miami, FL, curated by Ruba Katrib, June 24–September 4
Ryan Trecartin: Any Ever, MoMA PS1, Long Island City, NY, curated by Klaus Biesenbach, June 19–September 3
Ryan Trecartin: Any Ever, Istanbul Modern, Istanbul, Turkey, curated by Paolo Colombo and Lora Sariaslan, January 19–March 6
Any Ever, Museum of Contemporary Art Pacific Design Center, Los Angeles, CA, curated by David Bradshaw, July 18–October 17
Ryan Trecartin: Any Ever, The Power Plant, Toronto, Canada, curated by Helena Reckitt and Jon Davies, March 26–May 24
A Family Finds Entertainment, Kunsthalle Wien, Vienna, Austria, September 1–30
Ryan Trecartin: I-Be Area, Hammer Museum, Los Angeles, CA, curated by Ali Subotnik, September 10–December 7
Ryan Trecartin: I-Be Area, Wexner Center for the Arts, Columbus, OH, May 1–31
I-Be Area, Elizabeth Dee, New York, NY, September 8–October 13
Big Room Now: Ryan Trecartin and Lizzie Fitch, Crane Arts Center, Philadelphia, PA, February 1–24
I Smell Pregnant, QED, Los Angeles, CA
SELECTED GROUP EXHIBITIONS
CO-WORKERS–Network as Artist, Musée d’Art Moderne de la Ville de Paris, France, October 9 – January 31, 2016
Screen Play: Life in an Animated World, Albright Knox Gallery, Buffalo, NY, June 20 – September 13
8th Nordic Biennial of Contemporary Art: Tunnel Vision, Punkt ø AS, Moss, Norway, June 13 – September 17
Storylines: Contemporary Art at the Guggenheim, Solomon F. Guggenheim Museum, New York, June 5– September 9
America is Hard to See, inaugural exhibition, The Whitney Museum of American Art, New York, NY, May 1–September 27
Concentrations 59: Mirror Stage–Visualizing the Self After the Internet, Dallas Museum of Art, Dallas, TX, April 10 – December 6
Creating Realities, Pinakothek der Moderne and Museum Brandhorst, Munich, Germany, April – May
The New Human, Moderna Museet Malmö, Malmö, Sweden, March 14 – October 18, in collaboration with the Julia Stoschek Collection, Düsseldorf, Germany
Believe You Me, twentyfourseventhreesixtyfive, New York, NY, January 11 – February 15
Pop Departures, Seattle Art Museum, Seattle, WA, October 9 – January 11, 2015
Passions Secrètes, Lille 3000, Le Tripostal, Lille, France, curated by Caroline David, October 11 – January 11, 2015
Private Settings: Art after the Internet, Museum of Modern Art, Warsaw, Poland, September 25 – January 6, 2015
The Los Angeles Project, Ullens Center for Contemporary Art, Beijing, China, September 13 – November 9
Infinite Jest, Schirn Kunsthalle Frankfurt, Germany, curated by Matthias Ulrich, June 5 – September 7
Dark Velocity, Hessel Museum of Art, Bard College, Annandale-on-Hudson, NY, April 13 – May 25
Affekte, Kunstpalais Erlangen, Germany, April 4 – June 8; travels to Gemeentemuseum Helmond, Netherlands, October 12, 2014 - January 12, 2015; Culutuurcentrum Mechelen, Belgium
Treasure of Lima: A Buried Exhibition, Thyssen-Bornemisza Art Contemporary, Isla del Coco, Costa Rica, April
Para-Normal: Science Fiction and the New Normal, FACT, Liverpool, UK, March 27 – June 22
Room Service: On The Hotel In The Arts and Artists in the Hotel, Staatliche Kunsthalle Baden-Baden, Baden, Germany, March 22 – June 22
High Performance: The Julia Stoschek Collection: Time-based Media Art since 1996, Center for Art and Media, Karlsruhe, Karlsruhe, Germany, March 16 – June 22
Disown – Not For Everyone, curated by DIS Magazine and Agatha Wara, Red Bull Studios, New York, NY, March 7 – April 6
Room to Live: Recent Acquisitions and Works from the Collection, Museum of Contemporary Art Los Angeles, CA, October 5 – January 12, 2014
Speculations on Anonymous Materials, Kunsthalle Fridericianum, Kassel, Germany, September 29 – January 26, 2014
Meanwhile…Suddenly and then, 12th Biennale de Lyon, Lyon, France, September 12 – January 5, 2014
Image Employment, MoMA PS 1, Long Island City, NY, September 5 – October 7
Il Palazzo Enciclopedico (The Encyclopedic Palace), Biennale di Venezia 55th International Art Exhibition, curated by Massimiliano Gioni, June 1 – November 24
Prima Materia, Punta della Dogana, Venice, Italy, May 30 – December 31, 2014
Futures Project, Centre for the Living Arts, Mobile, AL, May 10 - February 23, 2014
Pivot Points: 15 Years and Counting, Museum of Contemporary Art North Miami, Miami, FL, March 22 – May 19
Now’s the Time: Recent Acquisition, Solomon F. Guggenheim Museum, New York, NY, curated by Lauren Hinkson and Carmen Hermo, November 4 – January 2, 2013
Collect the WWWorld: The Artist as Archivist in the Internet Age, 319 Scholes, Brooklyn, NY, curated by Domenico Quaranta, October 18 – November 4
Regarding Warhol: Sixty Artists, Fifty Years, Metropolitan Museum of Art, New York, NY, September 18 – December 31; travels to: The Andy Warhol Museum, Pittsburgh, PA, February 2 – April 28, 2013 (cat.)
Performance Now, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, curated by RoseLee Goldberg, September 7 – December 9
Number 6: Flaming Creatures, Stoschek Collection, Dusseldorf, Germany, September 8 – Spring 2013
Riotous Baroque, Kunsthaus Zürich, Zürich, Switzerland, curated by Bice Curiger, June 1 – September 2; travels to the Guggenheim Bilbao, Spain, June 18 – October 6 (cat.)
Weighted Worlds, Zabludowicz Collection, London, UK, curated by Elizabeth Neilson (pub.)
A Trip to the Moon. Before and After Film, Bonniers Konsthall, Stockholm, Sweden, curated by Camilla Larsson, February 8–April 8, 2012 (cat.)
100 Years (version #4), Boston University Art Gallery, Boston, MA, curated by Klaus Biesenbach and RoseLee Goldberg, January 19–March 25
Con Amore: The Leif Djurhuus Collection, ARoS Aarhus Art Museum, Aarhus, Denmark, curated by Jens Erik Sørensen, August 27 –January 22, 2012 (cat.)
Technicolor Yawn, 4th Moscow Biennale of Contemporary Art, Gridchinhall, curated by Nadim Sammam, September 23–October 30 (cat.)
A Rock and a Hard Place, 3rd Thessaloniki Biennale of Contemporary Art, Greece, curated by Paolo Colombo, Mahita El Bacha Urieta, and Marina Fokidis, September 18–December 18 (cat.)
Commercial Break, Garage Projects, Venice, curated by Neville Wakefield, June 1–November 24
Alias, Photomonth 2011, Krakow, Poland, curated by Adam Bromberg and Oliver Chanarin, May 13–June 12 (cat.)
Open House, 3rd Singapore Biennale, Singapore Art Museum, curated by Matthew Ngui, Russell Storer and Trevor Smith, March 15–May 15 (cat.)
21st Century: Art in the First Decade, Queensland Art Gallery | Gallery of Modern Art, Brisbane, Australia, December 18–April 26, 2011. (cat.)
How Soon Now, Rubell Family Collection/Contemporary Arts Foundation, Miami, FL, curated by Juan Roselione-Valadez, December 1 –August 26, 2011. (cat.)
The More Things Change, San Francisco Museum of Modern Art, San Francisco, CA, November 20 –November 6, 2011
Free, New Museum of Contemporary Art, New York, NY, curated by Lauren Cornell, October 20 – December 23, 2011 (cat.)
Screening, 203-205 Brompton Road, London, UK, curated by Robin Footitt and Sachin Kaeley, October 20–November 10
Forbidden Love: Art in the Wake of Television Camp, Kölnischer Kunstverein, Cologne, Germany, curated by Simon Denny, Kathrin Jentjens, and Anja Nathan-Dorn, September 25–Decemeber 19 (cat.)
Touched, 6th Liverpool Biennial of Contemporary Art, Liverpool, UK, curated by Lewis Biggs, September 18–November 28, 2010. (cat.)
10,000 Lives, 8th Gwangju Biennale, South Korea, curated by Massimiliano Gioni, September 3–November 7 (cat.)
Suppose it is true after all? What then?, Johan Berggren Gallery, Malmö, Sweden, curated by Asgeir Skotnes, July 10–August 15
100 Years (version #3), Garage Center for Contemporary Culture, Moscow, curated by Klaus Biesenbach and RoseLee Goldberg, June 19–September 17
fast forward 2: The Power of Motion | Media Art Sammlung Goetz, ZKM, Karlsruhe, Germany, curated by Peter Weibel, Gregor Jansen, Andreas Beitin and Ingvild Goetz, Stephan Urbaschek, June 18–October 3, 2010 (cat.)
5 Year Review, MoMA PS1, Long Island City, NY, May 23–October 18
45 Years of Performance Video from EAI, WIELS, Brussels, Belgium, May 8–June 6
This is my condition, Galeria Filomena Soares, Lisbon, Portugal, curated by Alexandre Melo, April 29–September 11
Queer Voice, Institute of Contemporary Art, Philadelphia, PA, curated by Ingrid Schaffner, April 22–August 1 (cat.)
Reflection, Contemporary Art Gallery, Art Tower Mito, Mito, Japan, curated by Yuu Takehisa, February 6–May 9
Virtuoso Illusion: Cross Dressing and the New Media Avant-Garde, MIT/List Visual Arts Center, Cambridge, MA, curated by Michael Rush, February 5–April 4
Speak and Spell, COCO (Contemporary Concerns), Vienna, Austria, curated by Spike Art Magazine, November 17–21
100 Years (version #2), MoMA PS1, Long Island City, NY, curated by Klaus Biesenbach and RoseLee Goldberg, November 1–May 3, 2010
Subjective Projections, Bielefelder Kunstverein, Germany, curated by Marc Gloede, October 15–November 4
Cutting Edge Framing, 11 NE 39th St., Miami, FL, curated by Win McCarthy, October 10–27
100 Years (version #1), Julia Stoschek Collection, Düsseldorf, Germany, curated by Klaus Biesenbach and RoseLee Goldberg, October 10–July 29, 2010
The Jack Wolgin International Competition in the Fine Arts, Tyler School of Art, Temple University, Philadelphia, PA, selected by Melissa Chiu, Paolo Colombo, and Ingrid Schaffner, October 1–October 31
Bande Annonce, New Galerie, Paris, France, September 5–October 17
Pose/Expose, imo projects, Copenhagen, Denmark, curated by Kristoffer Akselbo and Toke Lykkeberg, September 4–October 24
Until the End of the World, Andreas Melas Presents, Athens, curated by Max Henry,June 17–July 18 and September 7–26
Louis Vuitton: A Passion for Creation, Hong Kong Museum of Art, May 22–August 9
Tristin Lowe, Virgil Marti, Peter Rose, and Ryan Trecartin, Fabric Workshop and Museum, Philadelphia, PA, curated by Kippy Stroud, April 27, 2009 – November 2010
The Generational: Younger than Jesus, New Museum, New York, curated by Lauren Cornell,
Massimiliano Gioni, and Laura Hoptman, April 8–July 12, 2009 (cat.)
Installations II: Video from the Guggenheim Collections, Guggenheim Museum Bilbao, Spain, March 3, –January 17, 2010
6th Busan Biennale, Busan Metropolitan Art Museum, South Korea, curated by Jung Hyung-Lee, September 6–November 15 (cat.)
Freeway Balconies, Deutsche Guggenheim, Berlin, curated by Collier Schorr, July 7–October 7 (cat.)
The Left Hand of Darkness, The Project, New York, NY, curated by Sarvia Jasso and Yasmine Dubois, June 26–August 15
Cinema in Revolt, Queensland Art Gallery | Gallery of Modern Art, Brisbane, Australia, curated by Jose Da Silva, December 14–February 29, 2008
Television Delivers People, Whitney Museum of American Art, New York, curated by Gary Carrion- Murayari, December 12– February 17, 2008
USA Today: New American Art from the Saatchi Gallery, State Hermitage Museum, St. Petersburg, Russia, October 24–January 13, 2008 (cat.)
Between Two Deaths, ZKM, Karlsruhe, Germany, curated by Ellen Blumenstein and Felix Ensslin, May 12–August 19
Sensory Overload, Milwaukee Art Museum, WI, curated by Joe Ketner, January 24–June 2009
USA Today: New American Art from the Saatchi Gallery, Royal Academy of Arts, London, UK, October 6–November 4 (cat.)
Action Adventure, Canada Gallery, New York, NY, curated by Melissa Brown, Josh Kline, and Michael Williams, July 13–August 14
Metro Pictures, Moore Space, Miami, FL, curated by Silvia Karmen Cubina, May 4–September 17
Whitney Biennial 2006: Day for Night, Whitney Museum of American Art, New York, NY, curated by Chrissie Iles and Philippe Vergne, March 2–May 28 (cat.)
Sympathetic Magic, Planaria Gallery, New York, NY, curated by Jennifer Sullivan, February 25–March 26
SELECTED FILM FESTIVALS AND SCREENINGS
Migrating Forms Festival, BAM, Brooklyn, NY, December 11 – 15
100 Colours of Rainbow, Gallery on the Move in collaboration with Viafarini, Milan, Italy, curated by Fani Zguro, December 10 – 14
Image Employment with K-CoreaINC.K (section a), MoMA PS1, Long Island City, NY September 26 - 30
A Family Finds Entertainment, “Brinks Helm,” video and performance art festival, organized by Ian Mc Interney, Cork, Ireland
“Sibling Topics” screened as part of film program for Larry Clark Retrospective, C/O Berlin, Germany, July 10
DLD Digital Life Design, HVB Forum, Munich, Germany, January 22–24
A Family Finds Entertainment with (Tommy-Chat Just E-mailed Me), Queensland Art
Gallery | Museum of Modern Art, Brisbane, Australia, programed by Jose Da Silva, February 29
Schindler House/MAK Center, Los Angeles, CA, curated by Doug Aitken, March 25
New Museum 2015 Generational Triennial, New Museum, New York, NY, February 25 – May 24
Station to Station, public art train project organized by Doug Aitken, September 2013
Festival trailer for Migrating Forms Film Festival, May 20–29, 2011.
Hi11, networked happening, Los Angeles, December 31, 2010.
Riverofthe.net, social video website coded by David Karp, CEO, Tumblr, November 2010
A Lossless Fall, photo series produced with and for W 40 no. 11, November, 2010.
SELECTED PUBLIC COLLECTIONS
Art Gallery of Western Australia, Perth, Australia
Astrup Fearnley Museet for Moderne Kunst, Oslo, Norway
Bavarian State Collection, Bavaria, Germany
Berezdevin Collection, Puerto Rico
Groupe Artemis - Palazzo Grassi, Paris, France
Hessel Museum of Art, Bard College, Annandale-on-Hudson, NY
Julia Stoschek Collection, Düsseldorf, Germany
Los Angeles County Museum of Art, Los Angeles, CA
Louis Vuitton Foundation, Paris, France
Musée d’Art Moderne de la Ville de Paris, France
Museum of Contemporary Art, Los Angeles, CA
Museum of Contemporary Art, North Miami, FL
Museum of Modern Art, New York, NY
National Gallery of Victoria, Melbourne, Australia
New Art Trust (Museum of Modern Art, New York; San Francisco Museum of Modern Art; Tate Modern)
Rhode Island School of Design Museum of Art, Providence, RI
Rose Art Museum, Brandeis University, Waltham, MA
Rubell Family Collection, Miami, FL
Sammlung Goetz, Münich, Germany
Solomon R. Guggenheim Museum, New York, NY
Whitney Museum of American Art, New York, NY
Zabludowicz Collection, London, UK
Calvin Klein Collection New Artist of the Year Award, Rob Pruitt’s First Annual Art Awards, Solomon F. Guggenheim Museum, New York, NY
Jack Wolgin International Competition in the Fine Arts, Tyler School of Art, Temple University, Philadelphia, PA
Pew Fellowship in the Arts, Pew Center for Arts & Heritage, Philadelphia, PA
Hussey, Miciah. “Rob Pruitt’s Art Awards 2013.” Art in America, December 2013.
Poundstone, William. “Ryan Trecartin, Three Years Later.” Artinfo.com, December 2, 2013.
Ruiz, Cristina. “Venice Makes the Art World Go Round,” The Art Newpaper, June 13, 2013.
Truax, Stephen. “The Impossible Desire of the Encyclopedic Palace.” Hyperallergic.com, June 10, 2013.
Fulton, Jeni. “Review// The 55th Biennale di Venzia.” Berlin Art Link, June 9, 2013.
Roudier, Marc. "Biennale de Venise: Les Videos de Ryan Trecartin qui bougent le
Monde." Inferno-Magazine.com, June 6, 2013.
Everett-Green, Robert. "A Chance for Your Own 10 Seconds of Fame." The Globe and Mail, June 5, 2013.
Cotter, Holland. “Beyond the ‘Palace,’ an International Tour in One City.” The New York Times, June 6, 2013, p. C1, C5.
Vogel, Carol. “Ripples of Rumination: A Biennale About Looking Closely, Not Just Consuming.” The New York Times, June 3, 2013.
Wullschlager, Jackie. “A Picasso for the Facebook age.” Financial Times, June 1/2, 2013.
Graiwer, Sarah Lehrer. “In the Studio: Ryan Trecartin.” Art in America, June/July 2013.
Dukoff, Lauren. “The Director’s Selection: Ryan Trecartin.” L’Uomo Vogue, May/June 2013.
“Ryan Trecartin Featured in the 55th Venice Biennale International Art Exhibtion.” Art.BroadwayWorld.com, May 29, 2013.
“Venice: The Francois Pinault Collection Presents ‘Prima Materia’,” Whitewall Online, May 29, 2013.
Bishop, Claire. “Ruled Out.” Artforum, October 2013, pp. 127 – 128.
Estefan, Kareem. “Deep Code: Artists and Poets Are Manipulating Language in Ways
That Challenge Digital Culture’s Most Persistent Myths.” Art in America, September 2013, pp. 122 – 129.
Bankowsky, Jack. “Best of 2013: Jack Bankowsky.” Artforum, December 2013, pp. 214 – 215 (cover).
“Zabludowicz Collection Celebrates 20 Years Championing Emerging International Artists.” Artlyst.com, November 13, 2013.
Riotous Baroque. From Cattelan to Zurbaran – Tributes to Precarious Vitality, curated by Bice Curiger, published by Kunsthaus Zurich and Snoeck, Cologne, Germany, 2013, p. 63 (catalogue).
Schjeldahl, Peter. “The Year in Art: De Kooning Keeps Happening.” The New Yorker, December 29, 2011.
“From Adele to Swizz Beatz to Ryan Trecartin: The Best of What Was Said in PAPER This Year.” Papermag.com, December 27, 2011.
Melendez, Franklin. “Ryan Trecartin and Lizzie Fitch.” artforum.com, December 26, 2011.
Douglas, Sarah, Michael H. Miller, Dan Durray, and Andrew Russeth. “ It Was a Very Good Year… Sort of.” The New York Observer, December 20, 2011.
Smith, Roberta. “Substance and Spectacle.” The New York Times, December 16, 2011.
Trebay, Guy. “Riding, Artfully, Into the Sunset.” The New York Times, December 10, 2011.
Battaglia, Andy. “James Ferraro and Ryan Trecartin: 21st-Century Creatures.” The National, December 8, 2011.
McGarry, Kevin. “Out There: ABMB’s Last Gasp.” T: The New York Times Style Magazine, December 5, 2011.
Durray, Dan. “Everybody Just Tickled by Ryan Trecartin’s Basel Contest.” New York Observer, December 5, 2011.
Kim, Sebastian, Ethel Park and Jacob Brown. “Big and Bigger.” T: The New York Times Style Magazine, December 2, 2011.
Vezzoli, Francesco. “Ryan Trecartin: The Texan Artist According to Francesco Vezzoli.” L’Uomo Vogue, December 2011.
Marsh, Lindsey. “Paris Modern Art Museum: Georg Baselitz, Ryan Trecartin and Lizzie Fitch Shows Now on.” BonjourParis, December 2011.
Wiley, Chriss. “Critics Picks: 2011,” artforum.com, December 2011.
Ozols, Victor. “Ryan Trecartin is a Man of Many Mediums.” BlackBook, November 3, 2011.
Trembley, Nicolas. “Breaking News.” artforum.com, October 24, 2011.
Frank, Alex. “Itemized: Prada Amber Pour Homme Intense.” The FADER, October 18, 2011.
Nelson, Karin. “Any Ever.” W Magazine, October 17, 2011.
Miller, Michael H. “Ryan Trecartin and Lizzie Fitch’s Any Ever to Show in Paris.” New York Observer, October 14, 2011.
Kealoha, Ami.“Any Ever.” Cool Hunting, October 10, 2011.
Sandberg, Patrik. “Ryan Trecartin’s First Monograph: Any Ever.” V Magazine, October 6, 2011.
Parker, Sam. “Ryan Trecartin Book.” The Last Magazine, September 30, 2011.
McGarry, Kevin (ed.). Ryan Trecartin. New York: Rizzoli, 2011. (monograph)
Wiley, Chris. “Middle: We Have a Situation.” Passaredos, September 30, 2011.
Kimball, Whitney and Will Brand. “Meaning/time=? [e-flux on Coked-Out, Motherless Robots],” Art Fag City, September 29, 2011.
Glazek, Christopher. “On Ryan Trecartin.” N+1, September 21, 2011.
Mack, Joshua. “Ryan Trecartin at MoMA PS1.” Art Review, September 20, 2011.
Haber, John. “Tom Waits for No One.” haberarts.com, September 19, 2011.
Villarreal, David. “Let Ryan Trecartin Blow Your Mind With His Pre-Teen Reality Show Web Drag.” Queerty, September 3, 2011.
MacQueen, Kathleen. “Shifting Connections: Summer Shorts.” BOMBlog, September 2, 2011.
Sauers, Jenna. “A 14-Year-Old Rapper, Some Candy, and Ryan Trecartin’s Weirdo Suburbia.” Jezebel, September 2, 2011.
Marshall, Piper. “Hack The Planet.” artforum.com, September 2, 2011.
Freeman, Nate. “It’s Ryan Trecartin’s House Party, We’re Just Living in it.” New York Observer, September 2, 2011.
Kuang, Cliff. “Meet Ryan Trecartin, Art’s First Genius of the YouTube Age.” Fast Company | Co.Design, August 30, 2011.
Davis, Ben. “Searching for Humanity in Ryan Trecartin’s Digital Dystopia.” ARTINFO, August 29, 2011.
Brucato, Phaedra. “Any Ever [4EVA <3].” styleboston.tv, August 15, 2011.
Suarez de Jesus, Carlos. “Ryan Trecartin’s Any Ever Brings Frenetic Energy to Museum ofContemporary Art.” Miami New Times, August 9, 2011.
Lin, Luna. “James Franco, Gus Van Sant and Ryan Trecartin Teach MoMA PS1 Summer School.” WNYC, July 29, 2011.
Droitcour, Brian. “Making Word: Ryan Trecartin as Poet.” Rhizome, July 27, 2011.
Spaminato, Francesco. “Ryan Trecartin.” L’Uomo Vogue, July 26, 2011.
Karafin, Amy. “Digital Days: Ryan Trecartin’s Any Ever.” Art & Australia, Summer, 2011.
Gopnik, Blake. “A Brilliant Web Overdose.” The Daily Beast, June 24, 2011.
Smith, Roberta. “Like Living, Only More So.” The New York Times, June 23, 2011.
Schjeldahl, Peter. “Party On.” The New Yorker, June 20, 2011.
Jovanovic, Rozalia. “What to Expect from Ryan Trecartin’s New Show at MoMA PS1.” Flavorwire, June 2011.
Wolff, Rachel. The Wall Street Journal, June 18, 2011.
Kramer, David Jacob. “Controlling the Chaos,” Paper, June 17, 2011.
Kowalinski, Michael. “Ryan Trecartin’s Any Ever.” Dazed Digital, June 17, 2011.
Steinberg, Claudia. “It Has Nothing to Do with the 20th Century: Ryan Trecartin Rages in New York at MoMA PS1.” Monopol, June 17, 2011.
“Ryan Trecartin's Roamie View : History Enhancement from Any Ever at MoMA PS1.” The Huffington Post, June 16, 2011.
Hothi, Ajay RS. “It’s not punishment, it’s just whatever.” APEngine, December 7, 2010.
Heather, Rosemary. “Rosemary Heather on why Ryan Trecartin makes art cool again.” APEngine, December 3, 2010.
Bankowsky, Jack. “Best of 2010.” Artforum 49, no. 4, December 2010.
Trecartin, Ryan. “Ryan Trecartin Interviewed by Steve Lafreniere.” VICE, November, 2010.
Bedford, Christopher. “Ryan Trecartin.” Artforum 49, no. 3, November 2010.
Lubow, Arthur. “Ryan’s Web.” W 40, no. 11, November 2010.
Trecartin, Ryan, and James Franco. “All-American Golden Boy.” Another Man, November 2010.
Cornell, Lauren, et al. Free. New York: New Museum. (cat.)
Karcher, Eva. “Verruckt werden mit der Kunst.” Suddeutsche Zeitung, September 27, 2010.
Ward, Ossian. “Liverpool Biennial 2010.” Time Out London, September 24, 2010.
Searle, Adrian. “Back in Business at the Liverpool Biennial.” Guardian, September 20, 2010.
Cwelich, Lorraine. “Ryan Trecartin: Art for the Age of YouTube.” The Wall Street Journal, July 20, 2010.
Leclere, Mary. “The Question of (e)quality: Art in the Age of Facebook. ” X-Tra 12, no. 3, Spring 2010.
Sandals, Leah. “When hype is right.” Now Magazine, May 24, 2010.
Anderson, Jason. “Connect Four.” artforum.com, April 24, 2010.
Kennedy, Randy. “Art Made at the Speed of the Internet: Don’t Say ‘Geek’; Say ‘Collaborator.’” The New York Times, April 19, 2010.
Milroy, Sarah. “A shop of horrors and a poignant rebuttal.” Globe and Mail, April 5, 2010.
Balzer, David. “Ryan Trecartin: ‘Any Ever.’” Eye Weekly, March 31, 2010.
“Ryan Trecartin: Virtual Insanity.” Nylon Guys, March, 2010.
Kazanjian, Dodie. “The Body Eccentric.” Vogue, February 2010.
Spampinato, Francesco. “Still Life Channel,” Flash Art no. 280, February, 2010.
Philbin, Ann, et al. Hammer Projects 1999–2009. Los Angeles: Hammer Museum.
Conti, Riccardo. “Ryan Trecartin: File sharing e mutazioni verso la libertà totale.” Rodeo 58, September/October, 2009.
Dailey, Meghan. Shape of Things to Come: New Sculpture. New York: Rizzoli, 2009.
Koestenbaum, Wayne. “Situation Hacker.” Artforum 47, no. 10, Summer 2009.
Schjeldahl, Peter. “Their Generation: ‘Younger than Jesus’ at the New Museum.” The New Yorker, April 20, 2009.
Halle, Howard. “The Generational: ‘Younger than Jesus.’” Time Out New York, April 16–22, 2009.
Cotter, Holland. “Young Artists Caught in the Act.” The New York Times, April 10, 2009.
Saltz, Jerry. “‘Jesus Saves’: God Bless the New Museum’s Tantalizing Triennial.” New York, April 9, 2009.
Kennedy, Randy. “His Non-Linear Reality, and Welcome to It.” The New York Times, February 1, 2009.
Alemani, Cecilia. “Theatre for Generation Y.” Mousse no. 15, September 2008.
Walleston, Aimee. “Hi-Speed Video Machine: The Frenetic Pace of Artist Ryan Trecartin.” Tokion, Fall 2008.
McGarry, Kevin. “I-Be Area.” Los Angeles: Hammer Museum. (cat.)
Saltz, Jerry. “The New York Canon.” Artnet, April 23, 2008.
Rosenberg, Karen. “What’s on the Art Box? Spins, Satire, and Camp.” The New York Times, January 11, 2008.
Cotter, Holland. “Video Art Thinks Big: That’s Show Biz.” The New York Times, January 6, 2008.
Alemani, Cecilia, Luca Cerizza, and Raimundas Malasauskas. Present Future 2007. Turin, Italy: Asspcoazopme Artissima, November 2007.
Saltz, Jerry. “Has Money Ruined Art?” New York, October 15, 2007.
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