"The Morning Line", 2008-2009
"The Morning Line", 2008-2009
"The Morning Line", 2008-2009
"The Morning Line", 2008-2009
"The Morning Line", 2008-2009
"The Last Scattering", 2009
"The Four Forces (The Light Force)", 2008
"The Need Fire", 2009
"The Four Forces (The Heavy Force)", 2008
"The Need Fire", 2009
"The Long Count", 2009
"Day One", 2008
"The Evening Line", 2008
"The Evening Line", 2008
"The Midnight Line", 2008
"Ghost Operator", 2008
"How This Ends", 2008
"Ghost Operator", 2008
"Ghost Operator", 2008
Guggenheim Museum, New York, 2007
Guggenheim Museum, New York, 2007
Kunstmuseum, Bonn, 2006
Wayne L. Morse U.S. Courthouse, Eugene, Oregon
Wayne L. Morse U.S. Courthouse, Eugene, Oregon
Wayne L. Morse U.S. Courthouse, Eugene, Oregon
"The Universal Adversary"
Installation View
Andrea Rosen Gallery, 2006
"We Sail Today", 2006
"The Universal Adversary", 2006
"God of Catastrophe", 2006
"The UNiversal Adversary", 2006
"The Universal Adversary"
Installation View
Andrea Rosen Gallery, 2006
"Split", 2005
"Remote Viewing", Installation View, 2005
"Remote Viewing", 2005
"After Water", 2005
Installation at Frieze Art Fair, 2005
"We Want To See Some Light", 2005
"Hyle", 2005
"Something Like Day", 2004
"Something Like Day" (detail), 2004
"The Living Will", 2004
"Proposition Player", 2004
Mass Moca Installation view
"Propostion Player", 2004
Mass Moca Installation View
"Proposition Player"
Installation View
"Where I am Coming From", 2003
"The Deep Six", 2002
"After Lives", 2002
"The Eighth Sea", 2002
"After Lives", 2002
"Mastermind", 2002
"Games of Chance and Skill", 2001-2002
"Games of Chance and Skill", 2001-2002
"Germinal", 2001
"The Fast Set", 2000
"The Fast Set", 2000
"M Theory", 2000
"Parents and Children", 2000
"Big Top", 2000
 Matthew Ritchie
Aranda\ Lasch Arup AGU The Morning Line Commissioned by Thyssen-Bornemisza Art Contemporary Installation view: Seville, Spain "International Biennial of Contemporary Art of Seville" October 2, 2008 - January 11, 2009 Photo by Todd Eberle Matthew Ritchie
Aranda\ Lasch Arup AGU The Morning Line Commissioned by Thyssen-Bornemisza Art Contemporary Installation view: Seville, Spain "International Biennial of Contemporary Art of Seville" October 2, 2008 - January 11, 2009 Photo by Todd Eberle Matthew Ritchie
Aranda\ Lasch Arup AGU The Morning Line Commissioned by Thyssen-Bornemisza Art Contemporary Installation view: Seville, Spain "International Biennial of Contemporary Art of Seville" October 2, 2008 - January 11, 2009 Photo by German Leal Matthew Ritchie
Aranda\ Lasch Arup AGU The Morning Line Commissioned by Thyssen-Bornemisza Art Contemporary Installation view: Seville, Spain "International Biennial of Contemporary Art of Seville" October 2, 2008 - January 11, 2009 Matthew Ritchie
Aranda\ Lasch Arup AGU The Morning Line Commissioned by Thyssen-Bornemisza Art Contemporary Installation view: Seville, Spain "International Biennial of Contemporary Art of Seville" October 2, 2008 - January 11, 2009 Photo by German Leal Matthew Ritchie with Daniel Bosia & Arup AGU
The Last Scattering 2009 aluminum structural units & powder coat dimensions variable ARG# RM2009-006 MATTHEW RITCHIE
The Four Forces (The Light Force) 2008 Oil and marker on linen 88 x 77 inches (223.5 x 195.6 cm) ARG# RM2008-007 MATTHEW RITCHIE
The Need Fire c/o Gerhardsen Gerner, Berlin May 1 - July, 2009 MATTHEW RITCHIE
The Four Forces (The Heavy Force) 2008 Oil and marker on linen 88 x 77 inches (223.5 x 195.6 cm) ARG# RM2008-008 MATTHEW RITCHIE
The Need Fire c/o Gerhardsen Gerner, Berlin May 1 - July, 2009 THE LONG COUNT
Bryce Dessner, Aaron Dessner, and Matthew Ritchie Day One
2008 Interactive digital animation with acrylic and marker on wall Dimensions vary with installation ARG# RM2008-010 Installation view: Jewish Museum in San Francisco, San Francisco, CA "In the Beginning: Artists Respond to Genesis" June 8, 2008 – January 4, 2009 Photo by Bruce Damonte Matthew Ritchie
Aranda\Lasch The Evening Line 2008 In collaboration with Arup AGU Commissioned by Thyssen-Bornemisza Art Contemporary Fabrication Sheetfabs Nottingham Ltd. Laser cut aluminum, aggregated paint, video Installation view: Venice, Italy, "Biennale Architecture 11th International Architecture Exhibition; Out There: Architecture Beyond Building", directed by Aaron Betsky September 14 - November 23, 2008 Photo by Massimo Venchierutti / Cameraphoto Arte Venezia Matthew Ritchie
Aranda\Lasch The Evening Line 2008 In collaboration with Arup AGU Commissioned by Thyssen-Bornemisza Art Contemporary Fabrication Sheetfabs Nottingham Ltd. Laser cut aluminum, aggregated paint, video Installation view: Venice, Italy, "Biennale Architecture 11th International Architecture Exhibition; Out There: Architecture Beyond Building", directed by Aaron Betsky September 14 - November 23, 2008 Photo by Massimo Venchierutti / Cameraphoto Arte Venezia Matthew Ritchie & Aranda\Lasch
The Midnight Line 2008 mixed media installation comprised of acrylic paint or vinyl decal, marker, digital projection system size can vary with installation dimensions of original installation: 8 feet, 2 1/2 inches x 32 feet, 10 inches (2.5 x 10 meters) ARG# RM2008-028 Installation view: Reykjavik Art Museum, Reykjavik, Iceland, "Experiment Marathon Reykjavík" organized by Hans Ulrich Obrist and Ólafur Elíasson May 15 – August 17, 2008 Photo by Brooks Walker MATTHEW RITCHIE
Ghost Operator White Cube, London, England May 21 - June 28, 2008 Photo by Todd White & Son MATTHEW RITCHIE
How This Ends 2008 Oil and marker on linen 96 x 119 15/16 inches (243.8 x 304.6 cm) ARG# RM2008-001 Photo by Todd White & Son MATTHEW RITCHIE
Ghost Operator White Cube, London, England May 21 - June 28, 2008 Photo by Todd White & Son MATTHEW RITCHIE
Ghost Operator White Cube, London, England May 21 - June 28, 2008 Photo by Todd White & Son Installation view:
The Shapes of Space Guggenheim Museum, New York April 14 – September 5, 2007 Photo by Tom Powel Installation view:
The Shapes of Space Guggenheim Museum, New York April 14 – September 5, 2007 Photo by Tom Powel Installation view:
The Guggenheim Collection Kunstmuseum, Bonn, Germany July 21, 2006 – January 7, 2007 Photo by Peter Oszvald MATTHEW RITCHIE
Stare Decisis Life, Liberty, and Pursuit 2006 site-specific commissioned installation for the Wayne L. Morse U.S. Courthouse, Eugene, Oregon. Stare Decisis aluminum and steel 97 feet 10 ¼ inches x 38 feet 2 inches x 4 feet 1 inches Life, Liberty, and Pursuit Duratrans mounted on lenticular acrylic panels, aluminum frame, and fluorescent lights Life: 52 feet 5 inches x 8 feet 2 ¾ inches x 8 inches Liberty: 44 feet 5 inches x 8 feet 2 ¾ inches x 8 inches Pursuit: 44 feet 5 inches x 8 feet 2 ¾ inches x 8 inches ARG# RM2006-023 Photo by Nic Lehoux MATTHEW RITCHIE
Stare Decisis Life, Liberty, and Pursuit 2006 site-specific commissioned installation for the Wayne L. Morse U.S. Courthouse, Eugene, Oregon. Stare Decisis aluminum and steel 97 feet 10 ¼ inches x 38 feet 2 inches x 4 feet 1 inches Life, Liberty, and Pursuit Duratrans mounted on lenticular acrylic panels, aluminum frame, and fluorescent lights Life: 52 feet 5 inches x 8 feet 2 ¾ inches x 8 inches Liberty: 44 feet 5 inches x 8 feet 2 ¾ inches x 8 inches Pursuit: 44 feet 5 inches x 8 feet 2 ¾ inches x 8 inches ARG# RM2006-023 Photo by Joshua Jalbert MATTHEW RITCHIE
Stare Decisis Life, Liberty, and Pursuit 2006 site-specific commissioned installation for the Wayne L. Morse U.S. Courthouse, Eugene, Oregon. Stare Decisis aluminum and steel 97 feet 10 ¼ inches x 38 feet 2 inches x 4 feet 1 inches Life, Liberty, and Pursuit Duratrans mounted on lenticular acrylic panels, aluminum frame, and fluorescent lights Life: 52 feet 5 inches x 8 feet 2 ¾ inches x 8 inches Liberty: 44 feet 5 inches x 8 feet 2 ¾ inches x 8 inches Pursuit: 44 feet 5 inches x 8 feet 2 ¾ inches x 8 inches ARG# RM2006-023 Photo by Joshua Jalbert The Universal Adversary
Installation View Andrea Rosen Gallery September 21 - October 28, 2006 © Matthew Ritchie Photo by Tom Powel We Sail Today
2006 oil and marker on linen 101 x 141 1/2 inches (256.5 x 359.4 cm) ARG# RM2006-008 © Matthew Ritchie Photo by Ellen Page Wilson The Universal Adversary
Installation View Andrea Rosen Gallery September 21 - October 28, 2006 © Matthew Ritchie Photo by Tom Powel God of Catastrophe
2006 oil and marker on linen 102 x 142 inches (259.08 x 360.68 cm) ARG# RM2006-001 © Matthew Ritchie Photo by Ellen Page Wilson The Universal Adversary
Installation View Andrea Rosen Gallery September 21 - October 28, 2006 © Matthew Ritchie Photo by Tom Powel The Universal Adversary
Installation View Andrea Rosen Gallery September 21 - October 28, 2006 © Matthew Ritchie Photo by Tom Powel "Split", 2005
oil and marker on linen 50 x 84 inches (127 x 213.36 cm) ARG# RM2005-016 © Matthew Ritchie Whitney Museum of American Art, New York
Remote Viewing: Invented Worlds in Recent Painting and Drawing curated by Elisabeth Sussman, June 2 - September, 2005 (at center) The Universal Cell 2004 powdercoated aluminum, stainless steel, gypsum 11 feet x 12 feet, 6 inches x 12 feet, 6 inches ARG#RM2004-010 ©Matthew Ritchie Photo by Rob Kassabian Whitney Museum of American Art, New York
Remote Viewing: Invented Worlds in Recent Painting and Drawing curated by Elisabeth Sussman, June 2 - September, 2005 (at center) The Universal Cell 2004 powdercoated aluminum, stainless steel, gypsum 11 feet x 12 feet, 6 inches x 12 feet, 6 inches ARG#RM2004-010 ©Matthew Ritchie Photo by Rob Kassabian After Water
2005 mixed media installation dimensions vary with installation ARG#RM2005-035 Installed at Frieze Art Fair, London, England, 2005 ©Matthew Ritchie Photo By Andy Keate MATTHEW RITCHIE
We Want to See Some Light 2005 Lambda print on Duratrans, mounted on lenticular Acrylic panels, aluminum frame and fluorescent lights approximate dimensions: 8 x 16 feet (2.44 x 4.88 meters) ARG# RM2005-011 Installation view: Portikus, Frankfurt-am-Main, Germany "We Want to See Some Light" July 9 – August 21, 2005 MATTHEW RITCHIE
Hyle 2005 mixed-media installation dimensions vary with installation ARG# RM2005-017 Installation view: Portikus, Frankfurt-am-Main, Germany "We Want to See Some Light" July 9 – August 21, 2005 Something Like Day
2004 (Detail) photographic print on Duratrans mounted on lenticular acrylic panels, aluminum frame, and flourescent lights 14 feet x 40 feet x 14 inches Installation view, 21st Century Museum of Contemporary Art, Kanazawa, Japan, "The Encounters in the 21st Century: Polyphony - Emerging Resonances." October 9, 2004 - March 21, 2005." ©Matthew Ritchie Something Like Day
2004 (Detail) photographic print on Duratrans mounted on lenticular acrylic panels, aluminum frame, and flourescent lights 14 feet x 40 feet x 14 inches Installation view, 21st Century Museum of Contemporary Art, Kanazawa, Japan, "The Encounters in the 21st Century: Polyphony - Emerging Resonances." October 9, 2004 - March 21, 2005." ©Matthew Ritchie The Living Will
2004 oil and marker on canvas 88 x 99 inches (223.52 x 251.46 cm) ARG# RM2004-002 © Matthew Ritchie Photo by Oren Slor Matthew Ritchie: Proposition Player
Mass MoCA, North Adams, MA April 10, 2004 – February 20, 2005 Photo by Kevin Kennific Matthew Ritchie: Proposition Player
Mass MoCA, North Adams, MA April 10, 2004 – February 20, 2005 Photo by Kevin Kennific Matthew Ritchie: Proposition Player
Contemporary Arts Museum, Houston, TX, December 13, 2003 - March 14, 2004 ©Matthew Ritchie Photo by Hester and Hardaway Where I am Coming From
2003 oil and marker on canvas 99 x 121 inches (251.46 x 307.34 cm) ARG# RM2003-009 © Matthew Ritchie MATTHEW RITCHIE
The Deep Six 2002 Permanent Installation Shiodome City Center, Tokyo Installation view:
MATTHEW RITCHIE After Lives Andrea Rosen Gallery, New York October 19 - November 23, 2002 Photo by Oren Slor MATTHEW RITCHIE
The Eighth Sea 2002 oil and marker on canvas 99 x 121 inches (251.46 x 307.34 cm) ARG# RM2002-007 Installation view:
MATTHEW RITCHIE After Lives Andrea Rosen Gallery, New York, NY, October 19 - November 23, 2002 Photo by Oren Slor MATTHEW RITCHIE
Mastermind 2002 oil and marker on canvas 88 x 121 inches (223.52 x 307.34 cm) ARG# RM2002-011 Games of Chance and Skill
2001-2002 mixed media site-specific permanent installation at The Al and Barrie Zesiger Sports and Fitness Center Massachusetts Institute of Technology, Cambridge, MA Photo by Ellen Page Wilson Games of Chance and Skill
2001-2002 mixed media site-specific permanent installation at The Al and Barrie Zesiger Sports and Fitness Center Massachusetts Institute of Technology, Cambridge, MA Photo by Ellen Page Wilson Germinal
2001 oil and marker on canvas 72 x 120 inches (182.88 x 304.8 cm) ARG# RM2001-007 © Matthew Ritchie The Fast Set
2000 Installation View Detail mixed media installation room dimensions: 25 x 25 feet wall height between 10'6" and 15" ARG#RM2000-013 Installation view: DESTE Foundation for Contemporary Art, Athens, Greece "Monument to Now" the Dakis Joannou Collection curated by Dan Cameron, Jeffrey Deitch, Alison M. Gingeras, Massimiliano Gioni, and Nancy Spector June 22 – December 31, 2004 ©Matthew Ritchie MATTHEW RITCHIE
The Fast Set 2000 Installation View Detail mixed media installation room dimensions: 25 x 25 feet wall height between 10'6" and 15" ARG#RM2000-013 Installation view: DESTE Foundation for Contemporary Art, Athens, Greece "Monument to Now" the Dakis Joannou Collection curated by Dan Cameron, Jeffrey Deitch, Alison M. Gingeras, Massimiliano Gioni, and Nancy Spector June 22 – December 31, 2004 ©Matthew Ritchie MATTHEW RITCHIE
M Theory 2000 oil and marker on canvas 82 x 110 inches (208.28 x 279.4 cm) ARG# RM2000-025 Inslattion view:
MATTHEW RITCHIE Parents and Children Andrea Rosen Gallery, New York October 21 – November 25, 2000 MATTHEW RITCHIE
Big Top 2000 oil and marker on canvas 84 x 96 inches (213.36 x 243.84 cm) ARG# RM2000-027  |