Matthew Ritchie

Home is the Hangman, 2014

"Demon in the Diagram", 2015

Andrea Rosen Gallery, 2014

"Saturn Time", 2015

Andrea Rosen Gallery, 2014

"Monstrance", 2014

Institute of Contemporary Art, Boston, 2014-2015


This Garden At This Hour, 2013
Food & Drug Administration
White Oak Federal Center, Maryland

"The Morning Line", Seville, 2008

"The Morning Line", Seville, 2008

Monstrance, 2011

Holland Festival, Amsterdam, 2011

The Long Count
Brooklyn Academy of Music, New York, 2009

"The red and the red", 2014

"Manifold Atlas", 2009

Andrea Rosen Gallery, 2009

Guggenheim Museum, New York, 2007


Hypermusic: Ascension
Solomon R. Guggenheim Museum, New York, 2010


Hypermusic Prologue
Centre Pompidou, Paris, France June 14, 2009

Andrea Rosen Gallery, 2006

White Cube, London, 2008

Whitney Museum of American Art, New York, 2005

"Games of Chance and Skill", 2001-2002

Wayne L. Morse U.S. Courthouse, Eugene, Oregon

Matthew Ritchieʼs installations integrating painting, wall drawings, light boxes, performance, sculpture, and moving image are investigations into the complex and transient nature of information. His works describe generations of systems, ideas, and their subsequent interpretations in a kind of cerebral web, concretizing ephemeral and intangible theories of information and time. Ritchie has engaged in many cross-disciplinary collaborations, extending his own projects to explore the possibility of shared systems and aggregations in contexts as diverse as opera, contemporary music, architecture, horticulture, urban design, theology and science.

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