Matthew Ritchie

Andrea Rosen Gallery, 2014

"Demon in the Diagram", 2015

"The black arrow", 2014

"Monstrance", 2014

Andrea Rosen Gallery, 2014

Institute of Contemporary Art, Boston, 2014-2015

"The Morning Line", Seville, 2008

"The Morning Line", Seville, 2008

Monstrance, 2011

Holland Festival, Amsterdam, 2011

The Long Count
Brooklyn Academy of Music, New York, 2009

"Hypercycle", 2009

Andrea Rosen Gallery, 2009

Guggenheim Museum, New York, 2007

Project:

Hypermusic: Ascension
Solomon R. Guggenheim Museum, New York, 2010
 

Project:

Hypermusic Prologue
Centre Pompidou, Paris, France June 14, 2009

White Cube, 2008

White Cube, London, 2008

Andrea Rosen Gallery, 2006

Wayne L. Morse U.S. Courthouse, Eugene, Oregon

Born 1964
Lives and works in New York City

EDUCATION

1983-86 BFA, Camberwell School of Art, London
1982 Boston University, Boston, Massachusetts

SOLO EXHIBITIONS

2016   
Montserrat College of Art, Beverly, MA, ”Matthew Ritchie,” April 28 – June 18, 2016

2014
Food and Drug Administration, Silver Springs, MD, "This Garden at This Hour," October 1 – ongoing
Andrea Rosen Gallery, New York, NY, "Ten Possible Links," September 12 – October 22
ZKM – Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe, Germany, long-term exhibition of commissioned sound works
Institute of Contemporary Art, Boston, MA, “Remanence,” 2013 – 2014 (catalogue)

2013
ZKM – Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe, Germany, “The Morning Line,” September 15 – present
Baldwin Gallery, Aspen, CO, "Slow Light," July 26 – September 2

2012
Barbican Theatre, London, "The Long Count," February 2 – 4

2011
L&M Arts, Los Angeles, CA, November 2 – December 10
Thyssen-Bornemisza Contemporary Art Foundation, Vienna, Austria, “The Morning Line,” June 7 – November 20 (catalogue)
Holland Festival, Amsterdam, “The Long Count,” June 1 – 2

2010
Thyssen-Bornemisza Art Contemporary, Istanbul, Turkey, “The Morning Line,” Matthew Ritchie with Aranda\ Lasch and Arup AGU, May 22 – September 19 (catalogue)

2009
Andrea Rosen Gallery, New York, NY, “Line Shot,” October 23 – December 2
Southbank Centre, London, UK, "Paradise Lost,” Matthew Ritchie with Aranda\ Lasch and Arup AGU, June
c/o - Atle Gerhardsen, Berlin, Germany, "The Need Fire,” May 1 – July

2008
Centro Andaluz de Arte Contemporáneo, Seville, Spain, “The Morning Line,” Matthew Ritchie with Aranda\ Lasch and Arup AGU, October 2 – January 11, 2009 (catalogue)
White Cube, London, England, "Ghost Operator ", May 20 – June 28

2007
St. Louis Art Museum, St. Louis, MO, "New Media Series: Matthew Ritchie, The Iron City," June 29 – September 30

2006
Andrea Rosen Gallery, New York, NY, "The Universal Adversary," September 21 – October 28

2005
Portikus, Frankfurt-am-Main, Germany, July 9 – August 21
The Fabric Workshop and Museum, Philadephia, PA, April 2 – May 21

2004
Mass MoCA, North Adams, MA, "Matthew Ritchie: Proposition Player," April 10 – February 20, 2005

2003
Contemporary Arts Museum, Houston, TX, "Matthew Ritchie: Proposition Player", December 13, 2003 – March 14, 2004
Mario Diacono Gallery, Boston, MA, "The Two-Way Shot," December 3 – 31
c/o Atle Gerhardsen, Berlin, Germany, "After the Father Costume," April 25 – May 31

2002
Andrea Rosen Gallery, New York, NY, "After Lives," October 19 – November 23

2001
Dallas Museum of Art, Dallas, TX, “Concentrations 38: Matthew Ritchie,” January 25 – April 21 (catalogue)

2000
Andrea Rosen Gallery, New York, NY, “Parents and Children,” October 21 – November 25
White Cube, London, UK, “The Family Farm,” October 19 – November 24
Miami MoCA, Miami, FL, “The Fast Set,” March 31 – June 25 (catalogue)

1999
c/o – Atle Gerhardsen, Baloise Art Preis, Art Statement, Basel Art Fair, Basel, Switzerland, “The Working Group,” June 14 – June 21
Traveled to: c/o Atle Gerhardsen, Oslo, Norway, August 19 – September 25
Cleveland Center for Contemporary Art, Cleveland, OH, “The Big Story,” February 12 – May 2 (catalogue)

1998
Mario Diacono Gallery, Boston, MA, “Pictural Ludus: Painting the Game of Painting,” November 21 – December 20 (catalogue)
Basilico Fine Arts, New York, NY, October 23 – November 28 (catalogue)
Galeria Camargo Vilaça, São Paolo, Brazil, “The Gamblers,” March 3 – March 28 (catalogue)
Traveled to: Paço Imperial, Rio de Janeiro, Brazil, May 5 – June 7 (catalogue); Fundação Cultural de Distrito Federal, Brasília, Brazil (catalogue)

1997
Nexus Contemporary Art Center, Atlanta, GA, "Omniverse," November 1 – December 20
Mario Diacono Gallery, Boston, MA

1996
c/o Atle Gerhardsen, Oslo, Norway, "The Hard Way, Chapter III," December 14 – January 28, 1997 (catalogue)
Basilico Fine Arts, New York, NY, "The Hard Way, Chapter II," October 19 – November 23 (catalogue)
Galerie Météo, Paris, France, "The Hard Way, Chapter I," September 14 – October 19 (catalogue)

1995
Basilico Fine Arts, New York, NY, "Working Model," February 18 – March 18

SELECTED GROUP EXHIBITIONS

2016
Adams and Ollman Gallery, Portland, OR, "Conny Purtill's The Ground," September 9 – October 15, 2016
The Nasher Museum of Art, Duke University, Durham, NC, “A Material Legacy: The Nancy A. Nasher and David J. Haemisegger Collection of Contemporary Art,” February 18 – June 26 

2015
San Diego Museum of Art, San Diego, CA, "The Art of Music," September 26 – January 5, 2016
Travels to: Museo del Palacio de Bellas Artes, Mexico City, Mexico, March 11 – June 5, 2016
Lewis Glucksman Gallery, University College Cork, Ireland, "Boolean Expressions: Contemporary art and mathematical data," July 23 – November 8
Museum Benaki, Athens, Greece, "AMERTRIA," June 14 – October 11
Wellin Museum of Art, Hamilton College, Clinton, NY, "Wellin Collects," May 5 – July 28 

2014
The Institute of Contemporary Art Boston, Boston, MA, Permanent Collection, November 14 – ongoing

2013
Sean Kelly Gallery, New York, NY, "On Nature," June 28 – August 2
The Institute of Contemporary Art Boston, Boston, MA, "Expanding the Field of Painting," May 1 – October 12, 2014
Museum of Contemporary Art North Miami, Miami, FL, "Pivot Points – 15 Years and Counting," March 22 – May 19
Museo de Arte de Ponce, Ponce, Puerto Rico, "The Art of the Empire: Three Centuries of British Art," February 23 – September 30
CAC Málaga, Málaga, Spain, "Pasión II. Colección Carmen Riera," February 21 – ongoing

2011
Museum of Contemporary Art Tokyo, Japan, "Architectural Environments for Tomorrow," October 29 – January 15, 2012 (catalogue)
Graham Gund Gallery, Kenyon College, Gambier, OH, "Seeing/Knowing," October 27 – March 4, 2012
Albright Knox Museum, Buffalo NY, 'Surveyor', February 11 – June 5
Stephen D. Paine Gallery, Massachusetts College of Art and Design, Boston, MA, “Joe Fig: Inside the Painter’s Studio,” January 25 – March 12  

2010
The New Jersey State Museum, Trenton, NJ, “I am the Cosmos,” December 4, 2010 – May 29, 2011
The National Arts Club, New York, NY, “Contemporary Magic: A Tarot Deck Art Project,” November 1 – 30
Solomon R. Guggenheim Museum, New York, NY, “Contemplating the Void: Interventions in the Guggenheim Museum,” February 12 – April 28

2009
bitforms, New York, NY, "Spazialismo," November 19 – January 9, 2010
Museum of Contemporary Art San Diego, La Jolla, CA ,"Automatic Cities: The Architectural Imaginary in Contemporary Art," October 10 – January 31, 2010 (catalogue)
Institute of Contemporary Art, Valencia, Spain, "Confines," curated by Aaron Betsky, June (catalogue)
Staatliche Kunstsammlungen Dresden, Germany, "To the Milky Way by Bicycle," June 20 –September 20
San Francisco Museum of Modern Art, "Between Art and Life," May 10 – January 3, 2010
Museum of Modern Art, New York, NY, "Compass In Hand," April 22 – July 27
Mori Art Museum, Tokyo, Japan, "The Kaleidoscopic Eye," April 5 – June 26 (catalogue)

2008
Seville, Spain, "International Biennial of Contemporary Art of Seville," October 2 – January 11, 2009
Venice, Italy, "Biennale Architecture 11th International Architecture Exhibition; Out There: Architecture Beyond Building," directed by Aaron Betsky, September 14 – November 23
Museum of Modern Art, New York, NY, "Wunderkammern," curated by Sarah Suzuki, July 30 – November 10
Jewish Museum in San Francisco, San Francisco, CA, "In the Beginning: Artists Respond to Genesis," June 8 – January 4, 2009 (catalogue)
Reykjavik Art Museum, Reykjavik, Iceland, "Experiment Marathon Reykjavík," organized by Hans Ulrich Obrist and Ólafur Elíasson, May 15 – August 17 (catalogue)
Guggenheim Bilbao, Spain, "The Guggenheim Collection," April 29 – January 11, 2009
Kunsthaus Graz am Landesmuseum, Graz, "Thyssen-Bornemisza Art Contemporary. Collection as Aleph," March 6 – October 2 (catalogue)

2007
Idyllwild Arts, Idyllwild, CA, "Paintings Edge," June 23 – July 5
Travels to: Riverside Museum, Riverside, CA, July 14 – September 8
Solomon R. Guggenheim Museum, New York, NY, "The Shapes of Space," April 14 –September 5
P.S.1 Contemporary Art Center, Long Island City, NY, "Not For Sale," February 11 – April 30
James Cohan Gallery, New York, NY, "Cosmologies," January 11 – February 12

2006
Denver Museum of Art, Denver, CO, “Radar: Selections from the Kent and Vicki Logan Collection,” October 7 – July 15, 2007
Kunstmuseum Bonn, Bonn, Germany, “The Guggenheim Collection,” July 21 – January 7, 2007 (catalogue)
TBA21, Thyssen-Bornemisza Art Contemporary, Vienna, Austria, “Nature Attitudes,” April 5 – June 17

2005
The Fabric Workshop and Museum, Philadelphia, PA, “Swarm,” December 3 – March 18, 2006 (catalogue)
Pennsylvania Academy of the Fine Arts, Philadelphia, PA, “In Private Hands: 200 Years of American Painting,” October 1 – January 8, 2006 (catalogue)
Hamburger Kunsthalle, Hamburg, Germany, “Return to Space,” curated by Christoph Heinrich and Markus Heinzelmann, September 23 – February 12, 2006 (catalogue)
Whitney Museum of American Art, New York, “Remote Viewing: Invented Worlds inRecent Painting and Drawing,” curated by Elisabeth Sussman, June 2 – September (catalogue)

2004
Thyssen-Bornemisza Art Contemporary, Vienna, Austria, “Modus Operandi,” November 24 – February 12, 2005
Slusser Gallery, School of Art and Design, Ann Arbor, MI, “Drawing a Pulse,” October 22 – December 4
21st Century Museum of Contemporary Art, Kanazawa, Japan, “The Encounters in the 21st Century: Polyphony - Emerging Resonances,” October 9 – March 21, 2005
Sao Paolo Biennial XXVI, Sao Paolo, Brazil, curated by Alfons Hug, September 25 – December 19
Museum of Contemporary Art, North Miami, FL, “In Situ: Installations and Large-Scale Works in the Permanent Collection,” September 17 – October 31
DESTE Foundation for Contemporary Art, Athens, Greece, “Monument to Now,” the Dakis Joannou Collection curated by Dan Cameron, Jeffrey Deitch, Alison M. Gingeras, Massimiliano Gioni, and Nancy Spector, June 22 – December 31
Stiftung Opelvillen, Zentrum für Kunst, Russelheim, Germany, “Was Malerei Ist Heute,” curated by Beate Kemfert, February 11 – April 25
Joslyn Art Museum, Omaha, NE, “Fabulism”, curated by Klaus Kertess, January 31 – April 25 (catalogue)

2003
Oldenburger Kunstverein, Oldenburg, Germany, “Hands Up, Baby, Hands Up! 160 Jahre Oldenburger Kunstverein, 160 Arbeiten auf Papier,” September 6 – October 26 (catalogue)
Palais de Tokyo, Paris, France, “GNS (Global Navigation System),” June 5 – September 7 (catalogue)
Astrup Fearnley Museum of Modern Art, Oslo, Norway, “The Painting never dries...Reflections over paintings in the Astrup Fearnley Collection,” May 3 – August 24
Art Gallery of South Australia, John Kaldor Art Projects and Collection, Adelaide, Australia,“Journey to Now,” April 18 – July 6
Kunstmuseum Wolfsburg, Wolfsburg, Germany, “Painting Pictures. Painting and Media in the Digital Age,” March 1 – June 29 (catalogue)

2002
New York State Museum, Albany, NY, “Once Upon a Time: Fiction and Fantasy in Contemporary Art, Selections from the Whitney Museum of American Art,” December 14 – March 9, 2003
Museum of Modern Art, New York, NY, “Drawing Now: Eight Propositions,” October 16 – January 7, 2003 (catalogue)
California College of Arts and Crafts, San Francisco, CA, “Reality check: painting in the exploded field,” October 10 – December 14 (catalogue)
Houldsworth Gallery, London, UK, “Reverberatorm,” May 30 – June 29
Biennale of Sydney 2002, Sydney, Australia, “(The World May Be) Fantastic,” May 15 – July 14 (catalogue)
The Contemporary Arts Center, Cincinnati, OH, “Sprawl,” curated by Sue Spaid, April 2 – June 9
Traveling to: The Turnpike Gallery, Greater Manchester, UK, April 20 – June 8
Palais de Tokyo, Paris, France, “Virginie Barré + Christophe Berdaguer & Marie Péjus + Alain Declercq + Michael Elmgreen & Ingar Dragset + Naomi Fisher + Gelatin + Subodh Gupta + Alexander Györfi + Kay Hassan + Gunilla Klingberg + Surasi Kusolwong + Michel Majerus + Paola Pivi + Matthew Ritchie + Franck Scurti + Wang-Du +Sislej Xhafa + Jun'ya Yamaide,” January 21 – April 21
Musée d’Art Moderne de la Ville de Paris, Paris, France, “Urgent painting,” January 17 – March 3 (catalogue)
LARC/Musée d’Art Moderne, Paris, France, “Urgent Painting,” January 15 – March 3 (catalogue)
Kettle’s Yard, University of Cambridge, Cambridge, UK, “Flights of Reality,” January 12 – March 3 (catalogue) 

2001
Sammlung Goetz, Munich, Germany, “The Mystery of Painting,” October 29 – April 5, 2002 (catalogue)
Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino, Italy, “Form Follows Fiction,” curated by Jeffrey Deitch, October 17 – January 27, 2002 (catalogue)
Stadisches Museum Abteiberg, Munchengladbach, Germany, “futureland2001.com,” curated by Veit Loers, September 24 – January 6, 2002 (catalogue)
Museum van Bommel van Dam, Venlo, Netherlands, “futureland2001.com,” September 9 – December 2 (catalogue)
Miami MoCA, Miami, FL, “Selections from the Permanent Collection,” June 1 – July 29
Museum of Modern Art, New York, NY, “Collaborations with Parkett: 1984 – Now,” April 5 – June 5
SFMoMA, San Francisco, CA, “010101: Art in Technological Times,” March 3 – July 8, online presentation on view from January 1, www.sfmoma.org (catalogue)
The Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY, “The World According to the Newest and Most Exact Observations: Mapping Art and Science,” organized by Susan Bender and curated by Ann Berry, March 3 – June 3
Kunsthalle Hamburg, Hamburg, Germany, “Hyper Mental. Wahnhafte Wirklichkeit 1950- 2000,” February 16 – May 6 (catalogue)
Centre for Contemporary Art, Athens, Greece, “New Acquisitions from the Dakis Joannou Collection,” February 9 – May 26
Western Gallery, Western Washington University, Bellingham, WA, “Pictures, Patents, Monkeys, and More…On Collecting,” January 19 – March 10
Traveling to: John Michael Kohler Arts Center, Sheboygan, WI, August 12 – October 21; Akron Art Museum, Akron, OH, November 17 – February 24, 2002; Fuller Museum of Art, Brockton, MA, June 1 – August 18, 2002; Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA, September 15 – November 10, 2002; Pittsburgh Center for the Arts, Pittsburgh, PA, January 18 – March 16, 2003 (catalogue)
Contemporary Arts Museum, Houston, TX, “All Systems Go,” January 11 – March 4 (catalougue)

2000
Kunsthaus Zurich, Zurich, Switzerland, “Hypermental: Rampant Reality 1950-2000 from Salvador Dali to Jeff Koons,” curated by Bice Curiger, November 17 – January 21, 2001
Traveling to: Hamburger Kunsthalle, Hamburg, Germany, February 16, 2001 – May 6, 2001 (catalogue)
Lehman Maupin Gallery, New York, NY, “Figures in the Landscape,” November 15 – January 13, 2001
SFMoMA, San Francisco, CA, “Celebrating Modern Art: The Anderson Collection,” October 7 – January 15, 2001 (catalogue)
Barbara Gladstone Gallery, New York, NY, “Drawings 2000,” July – August (catalogue)
Astrup Fearnley Museet for Moderne Kunst, Oslo, Norway, “Museum-2000,” curated by Asmund Thorkildsen, June 15 – September 24 (catalogue)
Mass MoCA, North Adams, MA, “Unnatural Science,” June 3 – May 15, 2001 (catalogue)
Musée des Beaux-Arts de Nantes, Nantes, France, “Vision Machine,” May 12 – September 10, 2000 (catalogue)
Rhona Hoffman Gallery, Chicago, IL, “Drawing Spaces,” curated by Susan Harris, May 3 – May 31 (catalogue)          
The Aldrich Museum of Contemporary Art, Ridgefield, CT, “Faith,” January 23 – May 29 (catalogue)

1999
Schendhalle, Zurich, Switzerland, “Mondo Immaginario – projektionen und pigmente,” October 1 – November 28, 1999
Aldrich Museum of Contemporary Art, Ridgefield, CT, “Best of the Season,” September 26 – January 9, 2000
Mario Diacono Gallery, Boston, MA, “Cyber/Cypher,” September 18 – December 19
A/C Project Room, New York, NY, “Story,” curated by Elyse Goldberg, September 9 –  October 9
Thread Waxing Space, New York, NY “Conceptual Art: A Neurobiological Praxis,” curated by Warren Neidich, 1999
Cleveland Center for Contemporary Art, Cleveland, OH, “Mythopoeia: Projects by Matthew Barney, Luca Buvoli, Matthew Ritchie,” February 12 – May 2 (catalogue)
Andrea Rosen Gallery, New York, NY, “Continued Investigation of the Relevance of Abstraction,” January 29 – February 27
Metro Pictures, New York, NY, “Drawn by…” January 23 – February 20

1998
Whitney Museum of American Art, New York, NY, “Hindsight – Recent Acquisitions and Gifts from the Permanent Collection,” December 17 – February 21, 1999
Castle Art Gallery, College of New Rochelle, New Rochelle, NY, “More Fake, More Real, Yet Ever Closer,” November 8 – January 15, 1999 (catalogue)
Matthew Marks Gallery & Pat Hearn Gallery, New York, NY, “Painting: Now and Forever, Part I,” June 26 – July 31
Basilico Fine Arts, New York, NY, “Deep Thought,” June 11 – July 31
Entwistle Gallery, London, England, “Codex USA,” June 4 – August 1
Feigen Contemporary, New York, NY, “Exploiting the Abstract,” May 2 – June 13
Centro Atlantico de Arte Moderno, Canary Islands, Spain, “Transatlantico,” April 15 – June 15
South East Center of Contemporary Art, Winston-Salem, NC, “Parallel Worlds,” April 2 – July 5
Indianapolis Museum of Art, Indianapolis, IN, “Art Today,” February 19 – March 8

1997
storefront of Art & Architecture, New York, NY, "Map the Gap"
CAN Centre d'Art Neuchatel, Neuchatel, Switzerland, "Objectif Lune"
Weatherspoon Art Gallery, The University of North Carolina at Greensboro, NC, "Art on Paper", November 16- January 18, 1998 (catalogue)
Basilico Fine Arts & Lehmann Maupin, New York, NY, "Project Painting", September 10- October 11 (catalogue)
Bravin Post Lee, New York, NY, "In-form", June 4- July 19
Mario Diacono Gallery, Boston, MA, "The Body of Painting", January 18- March 1
Whitney Museum of American Art, New York, NY, "1997 Biennial", March 20- June 15 (catalogue)
Galerie Meteo, Paris, France, "meteo-show", May 20- July 30

1996
San Francisco Museum of Modern Art, CA, "New Work: Drawings Today", January 17- June 3
Richard Heller Gallery, Santa Monica, CA, "A Scattering Matrix", November 16- December 14 (catalogue)
La Galleria d'Arte Moderna e Contemporanea e Pinacoteca Nazionale, Cesena, Italy,
"Adicere Animos" (catalogue)
Feature, New York, NY, "AbFab", May 17- June 22
Room, New York, NY, "Architecture/Application/Complication", April 27- May 25
Ice Box, Athens, Greece, "Between the Acts", January 17- February 29s (catalogue)
c/o Atle Gerhardsen, Oslo, Norway, "Between the Acts", April 13- April 23
Museum der Stadt, Arolsen, Germany, "Verrückt", April- May
Friedrich Petzel Gallery, New York, NY, "Screen", January 19- February 24

1995
Livet Reichard Co., New York, NY, “Anecdote by Juxtaposition #1”
Schloss Agathenburg, Agathenburg, Germany, “Verrückt,” September 24 – November 26
(catalogue)
Domestic setting gallery, Los Angeles, CA, “A Vital Matrix,” August 5 – September 16 (catalogue)
Basilico Fine Arts, New York, NY, “Summer Fling,” June 6 – July 28
Stark Gallery, New York, NY, “Color: Sign, System, Sensibility,” June 6 – July 21
Basilico Fine Arts, New York, NY, “Möbius Strip,” January 7 – February 11 (catalogue)
New York Studio School, New York, NY, “Ten + Ten,” January 5 – February 18

1994
Mario Diacono Gallery, Boston, MA, “The Circumscribed Imagination on the Ruins of Tradition,” September 17 – October 28
Leonora Vega, New York, NY, “modus operandi”
Mitchell Algus Gallery, New York, NY, “Grey, Grodesky, Judd, Ritchie, Smithson,” April 23 – May 28
Leonora Vega Gallery, San Juan, Puerto Rico, “Matthew Ritchie & Nestor Otero”

1993
Natalie Rivera, New York, NY, "Inconsequent"
Leonora Vega, San Juan, Puerto Rico, "New York, San Juan & Toronto"
Natalie Rivera, New York, NY, "Back Room"

1992
Artist's Space, New York, NY, "9 x 2" Installation Show
Muranushi Lederman, New York, NY

1991
JAARY, Finland, "Blood"

1990
Judy Nielsen Gallery, Chicago, IL, "David McCaig & Matthew Ritchie"

PERFORMANCES

“The Long Count/Long Game,” featuring Kelley Deal, Aaron & Bryce Dessner, Shara Worden, and Evan Ziporyn, Institute of Contemporary Art/Boston, January 15 – 16, 2015
“Monstrance/Remonstrance,” featuring Bryce Dessner, David Sheppard, Shara Worden, and Evan Ziporyn, Institute of Contemporary Art/Boston, March 29, 2014
“The Long Count,” Barbican Theatre, London, February 2 – 4, 2012
“The Long Count,” Holland Festival, Amsterdam, June 1 – 2, 2011
"Hypermusic: Ascension," Works & Process, Guggenheim Museum, New York, NY, March 11, 2010
"The Long Count," Krannert Center for Performing Arts, University of Illionois at Urbana–Champagne, Illinois, September 11, 2009
Travels to: Brooklyn Academy of Music, Brooklyn, NY, October 28 – 31, 2009
"Hypermusic," Centre Pompidou, Paris, France, in collaboration with Harvard physicist Lisa
Randall, composer Hector Parra and Herve Boutry of Ensemble Intercontempora, June 14,
2009

PERMANENT INSTALLATIONS

"After Light," Buena Vista Building, Miami, FL, 2014 
"This Garden at This Hour," Food and Drug Administration, Silver Spring, MD, 2014
"Line of Play," Dallas Cowboys Stadium, Arlington, TX, 2009
"Stare Decisis," "Life, Liberty and Pursuit," Wayne Lyman Morse United States Courthouse,
Eugene, OR, 2006
"Games of Chance and Skill," Albert and Barrie Zesiger Sports and Fitness Center, Massachusetts Institute of Technology, Cambridge, MA
"The Deep Six," Shiodome City Center, Tokyo, 2002

WEB PROJECTS

"The New Place," San Francisco Museum of Modern Art, San Francisco, CA on the occasion of the exhibition 010101: Art in Technnological Times, March 3 – July 8, 2001
Available at www.sfmoma.org/010101
"The Hard Way," Walker Art Museum, Minneapolis, MN, 1996
Available at http://adaweb.walkerart.org/influx/hardway/
"Games of Chance and Skill," Massachusetts Institute of Technology, Cambridge, MA, 1996
Available at http://web.mit.edu/matthew-ritchie

CURATORIAL PROJECTS

Getty Research Institute, Los Angeles, CA, Re-iteration of “Temptation of the Diagram,” organized by Matthew Ritchie, 2015 (catalogue)
Andrea Rosen Gallery 2, New York, NY, “Temptation of the Diagram,” organized by Matthew Ritchie, 2013
The Father Costume. Sebastopol: Artspace Books, 2002.
Artists Space, New York, NY, “DemonClownMonkey,” Curated by Matthew Ritchie, March 21 – May 11, 2002
"The Ruined Map", Curated by Matthew Ritchie, zing magazine, Autumn 1996

LECTURES AND PANELS

“Imagining the Universe: Matthew Richie, ‘The Temptation of the Diagram,’” Lecture, Stanford University, February 26, 2015
Resident Lecture, Institute of Contemporary Art Boston, September 17, 2014
“Making, Collecting and Experiencing Art in the Digital Age,” Panel Discussion, Christies | Aspen Institute, New York, June 2, 2014
“A Time For Everything: Art, Information & Networks: Matthew Ritchie, Albert-László Barabási & Caroline Jones,” Symposium, Columbia University, October 4, 2013
Neuroaesthetics Panel, World Science Festival, Metropolitan Museum, New York, June 2, 2013
“Artists on Artists Lecture Series,” Lecture given by Matthew Ritchie on Alfred Jensen, Dia Center for the Arts, New York, December 20, 2001

CRITICAL WRITINGS

The Temptation of the Diagram. Book and edition. Getty Research Center, 2015.
“Superposition and Field.” Retracing the Expanded Field: Encounters between Art and Architecture. Boston: MIT Press, 2014.
Realism, Materialism, Art. Sternberg Press and Center for Curatorial Studies, Bard College, 2014.
Galison, Peter L., Gerald Holton, and Silvan S. Schweber. “Into the Bleed: Einstein and 21st –Century Art.” Einstein for the 21st Century. Princeton: Princeton University Press, 2008.
“Sol Lewitt.” 100 Views. New Haven: Yale University Press, 2009: 96.
“William Blake: On the Infinite Plane.” ImageTexT: Interdisciplinary Comics Studies, vol. 3, no. 2, 2006.
“Carroll Dunham.” Interview: New Museum of Contemporary Art 2003.
“Painting platform in NY: Matthew Ritchie, Julie Mehretu, Barnaby Furnas.” Flash Art International Dec. 2002: 70–75
“User – An Operating Criteria.” Tt: Plan. Galicia: Hirsch Foundation, 2000.
“Franz Ackermann, Manfred Pernice, Gregor Schneider: The New City.” Art and Text, May–July 1999: 74–79.
“Love, sweat, and tears: Ann Hamilton, Jason Rhoades, Brian Tolle, Andrea Zittel.” Flash Art International, Nov.-Dec. 1998: 78–81.
“Michael Joaquin Grey: Five of a Kind.” Art and Text, Aug.–Oct. 1997: 52–57.
“Tony Oursler: Technology as an instinct amplifier.” Flash Art, Jan.-Feb. 1996: 76-79.
Anastasi, William. “Rules of Engagement: William Anastasi.” Orkney: Pier Arts Centre, 1995.
“Forest Bliss: The Edge of Vision.” Fat Magazine 1995.
“Gabriel Orozco.” Flash Art Jan.-Feb. 1995: 95.
“Itai Doron.” Flash Art Oct. 1995: 108.
“Matthew Barney.” Flash Art Oct. 1995: 105.
“Video Spaces: Eight Installations at MoMA.” zingmagazine Autumn 1995.
“Xavier Veilhan.” zingmagazine Autumn 1995.
“The Word Made Flesh.” Flash Art May-June 1995: 71-72.
“Rosemarie Trockel.” Flash Art Jan.-Feb. 1995: 95.
“Dietrich Ochs.” Flash Art Nov.-Dec. 1994.
“Michael Joo: Imagine.” Flash Art Nov.-Dec. 1994: 69-70.
“The Third Sex.” Flash Art Nov.-Dec. 1994.
“Tony Cragg.” Flash Art May-June 1994: 113.
“Michael Rees.” Flash Art, Mar.-Apr. 1994: 108
“The Anatomy of Redemption.” Segno Jan.-Feb. 1994: 52-55.

ARTISTS BOOKS

Incomplete Projects 07: We Want To See Some Light. Frankfurt am Main: Portikus im Leinwandhaus, 2006.
Incomplete Projects 06: Dead Man’s Hand. New York: Two Palms Press, 2004. 
Incomplete Projects 05: Games of Chance and Skill. Cambridge: Massachusetts Institute of Technology, 2002.
Incomplete Projects 04: The Bad Need. Zurich, New York & Frankfurt: Parkett, 2001.
Incomplete Projects 03: Sea State One. New York: Two Palms Press, 2001.
Incomplete Projects 02: The Slow Tide. Dallas: Dallas Museum of Art, 2001.
Incomplete Projects 01: The Fast Set. North Miami: Museum of Contemporary Art, 2000.

PUBLIC COLLECTIONS

Albright Knox Art Gallery, Buffalo, NY
The Broad Art Foundation, Santa Monica, CA
Cowboys Stadium, TX
Dallas Museum of Art, Dallas, TX
Denver Art Museum, Denver, CO
Indianapolis Museum of Art, Indianapolis, IN
Joslyn Museum of Art, Omaha, NE
Kemper Museum of Contemporary Art, Kansas City, MO
Massachusetts Museum of Contemporary Art, North Adams, MA
MIT List Visual Arts Center, Cambridge, MA
Museum of Modern Art, New York, NY
San Francisco Museum of Modern Art, San Francisco, CA
Solomon R. Guggenheim Museum, New York, NY
Whitney Museum of American Art, New York, NY

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