Elliott Hundley

face and form, 2013

Andrea Rosen Gallery, New York, 2013

Screen, 2013

Drawing of Head, 2013

Still Life with Backdrop, 2013

Still Life with Potted Plant, 2013

Curtain, 2013

Andrea Rosen Gallery, New York, 2013

Still Life with Tulips, 2013

Composition Orange, 2013

Studio with Vase, 2013

I'll Get You, 2013

Andrea Rosen Gallery, New York, 2013

the sun goes down, 2013

Untitled, 2013

Standing Figure, 2013

Andrea Rosen Gallery, New York, 2013

Untitled, 2013

Stage, 2013

Let’s Live Again, 2012

Untitled, 2012

her house smouldering, 2011

the Lightning's Bride, 2011

Alas!, 2011

the high house low!, 2011

Thyrsus for Agave, 2010

Andrea Rosen Gallery, New York, 2010

Pentheus, 2010

And so I look upon this daylight now., 2009

Regen Projects, Los Angeles, 2009

Louisiana Museum of Modern Art, Denmark, 2009

Untitled, 2007

Garland, 2007

Untitled, 2002-2005

Landslide, 2003

Untitled (Cave), 2003

Deathless Aphrodite of the Spangled Mind, 2002-2003

Detail of: Deathless Aphrodite of the Spangled Mind, 2003

Born in 1975

Lives and works in Los Angeles, CA

 

EDUCATION

2005 MFA Painting and Drawing, University of California at Los Angeles, Los Angeles, CA

2002 Skowhegan School of Painting and Sculpture, Skowhegan, ME

1997 BFA Printmaking, Rhode Island School of Design, Providence, RI

 

SOLO EXHIBITIONS

2014
Regen Projects, Los Angeles, CA, “Elliott Hundley,” April 12 – May 17 

2013
Andrea Rosen Gallery, New York, NY, “Elliott Hundley,” March 29 – April 27

2011
Wexner Center for the Arts, Columbus, OH, “The Bacchae,” September 16 – January 1, 2012; travels to: Nasher Sculpture Center, Dallas, TX, January 28 – April 22, 2012 (catalogue)
Regen Projects, Los Angeles, CA, “Semele,” May 27 – July 1 

2010
Galleria Il Capricorno, Venice, Italy, “Elliott Hundley, Euripides: Paste-Ups,” May 29- Sept 11
Andrea Rosen Gallery, New York, NY, “Agave of the Bacchae,” March 19 - May 1 

2009
Regen Projects, Los Angeles, CA, “Hekabe,” March 7 - April 4 

2008
Galleria Il Capricorno, Venice, Italy, September 20 - January 15, 2009

2007
Andrea Rosen Gallery, New York, NY, March 16 - April 21

2006
UCLA Hammer Museum, Los Angeles, CA, “Hammer Project: Elliott Hundley,” May 9 - September 3

 

GROUP EXHIBITIONS

2013
Galeria Il Capricono, Venice, Italy, “A Personal Choice,” December 7 – 2014
Pérez Art Museum Miami, Miami, FL, “AMERICANA: Formalizing Craft,” December 3 – May 1, 2015
MATE, Lima, Peru, “Somos Libres,” curated by Neville Wakefield with Mario Testino, October 11 – March 22, 2014 (catalogue)
Gemeente Museum Den Haag, Netherlands, “Transforming the Known: Works from the Bert Kreuk Collection,” June 8 – September 29 (catalogue)
International Center of Photography, New York, NY, “A Different Kind of Order: The ICP Triennial,” organized by Kristen Lubben, Christopher Phillips, Carol Squiers, and Joanna Lehan, May 17 – September 8
Museum of Contemporary Art, Los Angeles, CA, “MoCA’s Permanent Collection, A Selection of Recent Acquisitions,” February 10 – March 11

2012
Regen Projects, Los Angeles, CA, “Inaugural Exhibition by Gallery Artists,” September 22 – October 27
Louisiana Museum, Humlebaek, Denmark, “Pink Caviar: New Works in the Collection 2009-2011,” May 24 – August 19 (catalogue)
American Academy of Arts and Letters, New York, NY, “2012 Invitational Exhibition of Visual Arts,” March 6 – April 15

2011
San Francisco Museum of Modern Art, CA, “The Air We Breathe,” November 5 – February 20, 2012 (catalogue)
Shoshana Wayne Gallery, Santa Monica, CA, “Chain Letter,” curated by Christian Cummings & Doug Harvey, July 23 – August 25
Museum of Contemporary Art, Pacific Design Center, Los Angeles, CA, “George Herms: Xenophilia (Love of the Unknown),” curated by Neville Wakefield, July 10 – October 2
Los Angeles County Museum of Art, Los Angeles, CA, “Human Nature: Contemporary Art from the Collection,” March 13 – July 4
Weatherspoon Art Museum, University of North Carolina at Greensboro, NC, “Weatherspoon Art Museum: 70 Years of Collecting,” February 5 – May 1, 2011 (catalogue)

2010
San Francisco Museum of Modern Art, San Francisco, CA, “The More Things Change: Works from the Permanent Collection,” November 20 – November 6, 2011
Museum of Contemporary Art, Los Angeles, CA, “The Artist’s Museum,” October 31 – January 31, 2011
Hammer Museum, Los Angeles, CA, “Selections from the Hammer Contemporary Collection,” July 3 – January 30
New Museum of Contemporary Art, New York, NY, “Skin Fruit: Selections from the Dakis Joannou Collection,” curated by Jeff Koons, March 3 - June 6 (catalogue)
Solomon R. Guggenheim Museum, New York, NY, “Contemplating the Void: Interventions in the Guggenheim Museum Rotunda”, February 12 – April 28

2009     
Museum of Contemporary Art, Los Angeles, CA, “Collection: The First Thirty Years,” curated by Paul Schimmel, November 15
Nyehaus Gallery, New York, NY, “California Maximalism: Sticking a Spike in the Vein of Memory,” November 6 – January 9, 2010
Louisiana Museum of Modern Art, Humelbaek, Denmark, “The World is Yours,” curated byAnders Kold and Tine Colstrup, September 5 – January 10, 2010 (catalogue)
Otis College of Art and Design, Ben Maltz Gallery, Los Angeles, CA, “Superficiality and Superexcrescence,” curated by Christopher Bedford, Kristina Newhouse, and Jennifer Wulfson, June 27 - September 12

2008
Las Vegas Art Museum, Las Vegas, NV, “L.A. Now,” curated by David Pagel, December 12 - March 8, 2009
Weatherspoon Art Museum, University of North Carolina at Greensboro, Greensboro, NC, 2008 Art on Paper Biennial,” October 19 - January 25, 2009 (catalogue)
CSUF Grand Central Art Center, Santa Ana, CA, “Mel’s Hole: Artists Respond to a Paranormal Land Event Occurring in Radiospace,” curated by Doug Harvey, September 6 - October 19 (catalogue)
Zabludowicz Collection, London, England, “Past-Forward,” curated by Vincent Honoré, May 15  - August 3 (catalogue)
Stuart Shave/Modern Art, London, England, “Karla Black, Elliott Hundley, Ross Tibbles,” March 7 - April 6

2007
New Museum of Contemporary Art, New York, NY, “Unmonumental: The Object in the 21st
Century,” curated by Richard Flood, Massimiliano Gioni and Laura Hoptman, December 1 - March 30, 2008 (catalogue)
DESTE Foundation, Centre for Contemporary Art, Athens, Greece, “Fractured Figure: Works from the Dakis Joannou Collection,” September 6 - March 29, 2008 (catalogue)Andrea Rosen Gallery, Amagansett, NY, “The Second Annual Dining Room Show”, July 21 - July 22
Hammer Museum, Los Angeles, CA, “Eden’s Edge: Fifteen LA Artists,” organized by Gary Garrels, May 13 - September 2 (catalogue)
Solomon R. Guggenheim Museum, New York, NY, “Shapes of Space,” April 14 – September 5
Museum of Contemporary Art, Los Angeles, CA, “From Close to Home: Recent Acquisitions of Los Angeles Art,” April 1 – July 2

2006
Saatchi Gallery, The Royal Academy of Arts, London, England, “USA Today: New American Art from the Saatchi Gallery,” October 6 - November 4 (catalogue)
High Energy Constructs, Los Angeles, CA, “Chain Letter,” August 20 - August 31
Peres Projects, Berlin, Germany, “LAXed: Paintings from the Other Side” April 28 - June 2
Michael Kohn Gallery, Los Angeles, CA, “Rough Trade,” curated by Peter Bartlett, March 18 - April 22
DESTE Foundation, Centre for Contemporary Art, Athens, Greece, “Panic Room: Works from the Dakis Joannou Collection,” February 10 – May 30
Peres Projects, Los Angeles, CA, “there’s no fooling you (The Classics) Dan Attoe, Elliott Hundley, Raqib Shaw,” January 7 – February 11

2005
Andrea Rosen Gallery, New York, NY, “Looking at Words: The Formal Use of Text in Modern and Contemporary Works on Paper,” November 2 – January 4, 2006
Track 16 Gallery, LA Weekly Biennial, Santa Monica, CA, “State of Emergence,” curated by Doug Harvey, October 8 – November 12
cherrydelosreyes, Los Angeles, CA, “Paper Beats Rock,” July 9 – August 14
Andrea Rosen Gallery, New York, NY, “Curvaceous,” July 8 - 29
Daniel Reich Gallery, New York, NY, “Desired Constellations,” curated by Meredith Darrow, July 7 – August 5
Los Angeles Contemporary Exhibitions, Los Angeles, CA, “Old News,” June 29 – September 4
New Wight Gallery, UCLA, Los Angeles, CA, “UCLA MFA #1,” March 3 - 17

2004
Peres Projects, Los Angeles, CA, “And If You Think You See With Just Your Eyes You Are Mad,” September 18 – October 23
Regen Projects, Los Angeles, CA, “Group Show,” July 10 – August 7
Daniel Reich Gallery, New York, NY, “California Earthquakes,” May 29 – June 26
Peres Projects, Los Angeles, CA, “such things I do just to make myself more attractive to you,” January 10 – February 14

2003
Hayworth Gallery, Los Angeles, “A Million Pieces,” December 5 – January 16, 2004
Neiman Gallery, Columbia University, New York, NY, “Lordship and Bondage,” November 18 – December 2
The Happy Lion, Los Angeles, CA, “Three-dimetrical,” curated by Leo Koeing, September 13 – October 18
Peres Projects, Los Angeles, CA, “Retreat,” September 6 – October 11
Overtones, Los Angeles, CA, “I Am Human, and I Deserve to Be Loved,” June 21 – July 19
Pedestrian Gallery, Jacksonville, FL, “Manufactured Proximity,” March 21
Sol Koffler Gallery, Rhode Island School of Design, Providence, RI, “Wall of Draw,”

2002     
Weatherspoon Art Museum, University of North Carolina at Greensboro, Greensboro, NC “Art on Paper,” November 17 – January 19, 2003            
Mills Gallery, Boston Center for the Arts, Boston, MA, “PFAWC!!!,” July 18 – September 1
Bang Street Gallery, Provincetown, MA, “New Art,” curated by John Calhoun, June    
Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA, “Scratch off the Serial,” May 11 – July 14
DNA Gallery, Provincetown, MA, “DNA@DNA Genetic Imprints,” curated by Nick Lawrence, May 10 – 29
Driskell Gallery at the Schoolhouse Center, Provincetown, MA, “Photographs and Collages,” April 26 – May 22
Hudson D. Walker Gallery, Provincetown, MA, “FAWC Solo Exhibition,” February 15 - 18

2001
Provincetown Art Association and Museum, Provincetown, MA, “Fine Art Works Center Fellows Exhibition,” December 7 – January 6, 2002
Space 1026 Gallery, Philadelphia, PA, “Heavy Thick, Slow, Sweet: Photographs and Collages by Amanda Masalis and Elliott Hundley,” November 2 – 30
Hudson D. Walker Gallery, Provincetown, MA, “Ten by Ten,” October
Spruce Pine Gallery, Toe River Arts Council, Burnsville, NC, “Asolare,” August 20 – September 28

 

EXHIBITION CATALOGUES

Janssen, Hans and Bert Kreuk. Transforming the Known, Collection Bert Kreuk. The Hague: Bert Kreuk and Gemeentemuseum Den Haag, 2013.
Tojner, Poul Erik. Pink Caviar. Acquisitions 2009-2011. Denmark: Louisiana Museum of Modern Art, 2012.
Bedford, Christopher. Elliott Hundley: The Bacchae. Columbus: Wexner Center for the Arts, 2011.
DiQuinzio, Apsara. The Air We Breathe: Artists and Poets Reflect on Marriage Equality. SanFrancisco: SFMOMA, 2011.
Doll, Nancy M. Weatherspoon Art Museum: 70 Years of Collecting. Greensboro: Weatherspoon Art Museum, University of North Carolina, 2011.
Gregory, Jarrett, and Sarah Valdez, eds. Skin Fruit: Selections from the Dakis Joannou Collection. Curated by Jeff Koons.  New York: New Museum, 2010.
Philbin, Ann, et al. Hammer Projects 1999-2009. Los Angeles: Hammer Museum, 2009.
Holm, Michael Juul, Anders Kold, Tine Colstrup, eds. The World Is Yours. Humlebaek: Louisiana Museum of Modern Art, 2009.
Art on Paper 2008: The 40th Exhibition. Weatherspoon Art Museum: Greensboro, 2008.
Deitch, Jeffrey, et al. Fractured Figure: Works from the Dakis Joannou Collection. Athens: Deste Foundation, 2008.
Harvey, Doug et al. Aspects of Mel’s Hole: Artists Respond to a Paranormal Land Event Occurring in Radiospace. Santa Ana: Grand Central Press with CSUF, 2008.
Honoré, Vincent, ed.  Past – Forward. London: Zabludowicz Art Projects, 2008.
Deitch, Jeffrey, Kathy Grayson and Dakis Joannou, eds. Panic Room: Selection from the Dakis Joannou Works on Paper Collection. Athens: Deste Foundation, 2007.
Garrels, Gary. Eden’s Edge: Fifteen LA Artists. Los Angeles: Hammer Museum, 2007.
Hoptman, Laura, et al. Unmonumental: The Object in the 21st Century. New York: Phaidon, 2007.
Dailey, Meghan, and Norman Rosenthal. USA Today: New American Art from The Saatchi Gallery. London: Royal Academy of Arts, Saatchi Gallery, 2006.

 

BOOKS

Hampton, Monica and Lily Kane, eds. Shaping the Future of Craft: 2006 National Leadership Conference. New York: American Craft Council, 2007.

 

SELECTED ARTICLES and REVIEWS

2014
Pagel, David. “Into the chaos of modern life.” Los Angeles Times 16 April 2014: D3.
Rus, Mayer. “Elliott Hundley’s Collages Confound and Delight at Los Angeles’s Regen Projects.” Architectural Digest, Daily AD 16 April 2014 daily/2014/04/elliott-hundley-regen-projects-los-angeles>.

2013
Chaves, Holly Shen. “A Different Kind of Order at the ICP Triennial.” Whitewall 12 July 2013.
Cotter, Holland. “What’s Real Today (Check Again Soon).” New York Times 17 May 2013: C17-C19.
“Exhibitions in Brief.” Art and Auction June 2013:151.
Dykstra, Jean. “Review: ‘A Different Kind of Order: The ICP Triennial’.” Photograph Magazine July/August 2013: 36.
Lehan, Joanna et al. A Different Kind of Order: The ICP Triennial. New York: International Center of Photography, 2013.
Nonko, Emily. “ICP Triennial Show Focuses on Ever-Shifting Landscape of Digital Media.” New York.com 17 May 2013 <http://www.newyork.com/articles/travel/icp-triennial-show-focuses-on-ever-shifting-landscape-of-digital-media-56640/>.
Rus, Meyer. “Elliott Hundley’s Kaleidoscopic Artworks.” Architectural Digest March 2013: 68.
The MOCA Index 2010-2013. Minneapolis, MN: The Avery Group, 2013.
“Visiting Artists: A retrospective of creative encounters culled from our pages.” W Magazine September  2013: 236.
Woodward, Richard B. “Image Making in the Aftermath of the Digital Revolution.” The Wall Street Journal 24 July 2013: D5.

2012
Cantrell, Scott. “Art Review: Elliott Hundley takes a very modern look at Euripides.” Dallas Morning News 8 February 2012.
Crow, Kelly. “Searching for the Next Art-World Star.” Wall Street Journal 30 November 2012:D1.
“Elliott Hundley, Every Museum in L.A.” Exhibition Inquisition 7 February 2012 exhibitioninquisition.wordpress.com/2012/02/07/elliott-hundley/>.
Finkel, Jori. “MOCA announces 2011 acquisitions.” Los Angeles Times 31 January 2012 .
Jameson, Clare Troy. “Review of Elliott Hundley’s The Bacchae at the Nasher Sculpture Center.”  Dallas Art News 3 March 2012
Laughlin, Jamie. “Elliott Hundley: The Bacchae Opens Tomorrow at Nasher.” Dallas Observer Blog 28 January 2012 do_goat_hooves_zeus.php>.
Lima, Ben. “Art Review: Is Elliott Hundley’s Work More Suited for A Tim Burton Film than the Nasher?” D Magazine 30 January 2012 http://frontrow.dmagazine.com/2012/01/art-review-is-elliott-hundleys-work-more-suited-for-a-tim-burton-film-than-the-nasher/.
Mora, Patricia. “Review: Elliott Hundley.” Arts+Culture North Texas 2 March 2012 artsandculturentx.com/review-elliott-hundley/>.
Richardson, Joe. “Nasher Sculpture Center debuts Greek exhibit.” The Daily Campus 26 January 2012 exhibit-1.2754429#.TyLbLM3oKrY>.
Robinson, Gaile. “Review: ‘Elliott Hundley: The Bacchae’ at the Nasher.” dfw.com 31 January 2012 .

2011
Black, Ezrha Jean. “Elliott Hundley Regen Projects II.” Artillery September/October 2011: 75.
Blauer, Ettagale. “Young Artist Break Out.” Art and Auction June 2011:46.
Bradner, Lisel. “An Ongoing Dialogue about Proposition 8.” Los Angeles Times 20 November
2011: E2.
Crow, Kelly. “Following the Smart Art Money.” Wall Street Journal 4 November 2011: D2.
“Elliott Hundley.” Art in America Annual Guide Museums, Galleries, Artists 2011: 34.
Dalton, Trinie. “Elliott Hundley.” Artforum.com 17 June 2011
<http://artforum.com/archive/id=28489>.
Finkel, Jori. “Eli Broad, at home with art.” Los Angeles Times 20 March 2011:E1.
Garrels, Gary. “Gary Garrels: Painting After the 20th Century.” Open Space. SFMOMA, 6 June. Gibson, Nancy. “Earth-Friendly: Green themes connect lush exhibits at Wexner Center.” The
Columbus Dispatch
18 September 2011: E1.
Griffin, Jonathan. “George Herms: Xenophilia Museum of Contemporary Art at the Pacific
Design Center, Los Angeles.” Frieze October 2011: 254.
Grossberg, Michael. “Wexner Center scours globe for talent.” The Columbus Dispatch 26 June
2011.
King, Andrew. “Wex Exhibits Show Beauty of Being Green.” The Other Paper 15 September
2011.
Knight, Christopher. “Best of 2011.” Los Angeles Times 18 December 2011: E9.
Mantey, Jackie. “Year in Review: Best in the arts 2011.” Columbus Alive 21 December 2011
arts-2011.html>.
Modenessi, Jennifer. “SFMOMA explores marriage equality.”Mercurynews.com 3 November
2011 <http://www.mercurynews.com/entertainment/ci_19242920>.
Mosher, Donal. “The Air We Breathe: Artists and Poets Reflect on Marriage Equality.” The
Fanzine
8 December 2011               
Pagel, David. “Pulling It All Together.” Los Angeles Times 3 June 2011: D17.
Simpson, Ashley W. “Tragic Birthing.” Interview Magazine May 2011: 57.
Starker, Melissa. “Trio with Brio: Three talents make statements about humanity.” The Columbus Dispatch 25 September 2011: E6.
Starker, Melissa. “Exhibits: Highlights included first Caravaggio shown here.” The Columbus Dispatch 25 December 2011
Taft, Catherine. “Elliott Hundley: The Bacchae.” Artforum September 2011:145.

2010
Buckley, Richard. “L.A. à l’art libre.” Vogue Paris December 2010: 240-247.
Buhmann, Stephanie. “Look ahead with Stephanie Buhmann: Noteworthy Exhibitions in April.” The Villager 31 March 2010.
Finkel, Jori. “Creating Art (And Artists).” Los Angeles Times 20 June 2010.
Finkel, Jori and David Ng. “Broad picks Grand Ave for museum.” Los Angeles Times 24 August 2010.
“Goings On About Town.” The New Yorker 12 April 2010: 12.
Goldstein, Andrew. “What ‘Skin Fruit’ Says About Jeff Koons.” Artinfo.com 2010.
Israel, Alex. “Myth of Decline.” Artforum January 2010: 67-68.
Mueller, Stephen. “Elliott Hundley.”Art in America October 2010: 190.
Schjeldahl, Peter. “Big Time: ‘Skin Fruit,’ at the New Museum.” The New Yorker 15 March 2010: 78 -79.
Smith, Roberta. “Agave of the Bacchae.” The New York Times 30 April 2010.
Wilson, Michael. “Elliott Hundley, ‘Agave of the Bacchae’.” Time Out New York 26 April 2010. Zellen, Jody. “Elliott Hundley.” Art Papers September/October 2010: 56.

2009
Clover, Gina. “The Grecian Formula.” ARTslant April 2009.
Drumm, Perrin, “Superficiality and Superexcrescence.” Sundance TV Blog 2009
Holborn, Mark, ed. Abstract America. London : Saatchi Gallery, 2009.
Holm, Michael Juul, Anders Kold, and Tine Colstrup. The World Is Yours. Esbjerg: Louisiana Museum of Art, 2009.
Miles, Christopher. “Elliott Hundley at Regen Projects II.” LA Weekly 20-26 March 2009: 46.
Pagel, David. “Deftly Playing with Art History.” Los Angeles Times 13 March 2009: D12.
Rose, Aaron. “Day in the Life of the Los Angeles Art Scene.” Whitewall Summer 2009.
Superficiality and Superexcrescence. Los Angeles: Otis College of Art and Design, 2009.
Wood, Eve. “Elliott Hundley at Regen Projects.” Artweek June 2009: 17. 

2008
Comer, Martin. “Reloaded Questions.” The Big Issue May 2008: 30.
Heartney, Eleanor. “Make It New.” Art in America April 2008: 82-85.
Holmes, Pernilla. “The Spirit of 176.” ARTNews 107.9 October 2008: 140-145.
O’Reilly, Sally. “London’s easy events guide: Past Forward.” Spoonfeed.co.uk March 2008.
Pagel, David. LA Now. Las Vegas: Las Vegas Art Museum, 2008.
“Past Forward.” Dekersain Blog 7 June 2008.
Past Forward. London: Zabludowicz Collection, 2008.
“Past-Forward curated by Vincent Honoré for the Zabludowicz Collection at 176.” artdaily.org 17 March 2009.
“Reviews: Past Forward.” Time Out London 27 May 2008.

2007
Azimi, Roxana. “Galeries et collectionneurs parient massivement sur les jeunes prodiges.” Le
Monde
10-11 June 2007.
Bedford, Christopher. “‘Eden’s Edge: Fifteen LA Artists’ at Hammer Museum.” Afterall Online
23 August 2007 .
Christie, Tom. “The Newcomer: The Hammer’s Gary Garrels.” LA Weekly 25-31 May 2007: 58-60.
Couri, Alex. “Eden’s Edge: Fifteen L.A. Artists.” Frontiers 19 June 2007: 163.
Epstein, Rebecca. “A Selection of Sensuous Affection.” Los Angeles CityBeat 7-13 June 2007: 15. Flood, Richard, et al. Unmonumental: The Object in the 21st Century. New York: New Museum/Phaidon Press Inc., 2007.
Garrels, Gary. Eden’s Edge: Fifteen LA Artists. Los Angeles: Hammer Museum, 2007.
Gray, Emma. “L.A. Confidential.” Artnet.com 13 June 2007 reviews/gray/gray6-13-07.asp>.
Harvey, Doug. “Personal Choices, Fifteen LA Artists in Eden’s Edge.” LA Weekly May 2007: 58-60.
Kazakina, Katya. “Bible Themes, Exploding Seagulls, Tiny Nudes: Chelsea Galleries.”
Bloomberg.com 22 March 2007.
Knight, Christopher. “A City Garden of Earthly Delights.” Los Angeles Times 23 May 2007.
Mack, Joshua. “Elliott Hundley.” Time Out New York 12-18 April 2007.
Schuker, Lauren A.E. “Art for Less.” Wall Street Journal 21-22 July 2007.
Smith, Roberta. “Guggenheim exhibit explores the forms of space.” International Herald Tribune 20 July 2007: 9.
Smith, Roberta. “Space Exploration, Conducted on a Spiral.” New York Times 20 July 2007.
Smith, Roberta. “In Galleries, a Nervy Opening Volley.” New York Times 30 November 2007.  Wehr, Anne. “Unmonumental: The Object in the 21st Century.” Time Out New York December
2007.
West, Kevin. “Assemblage Required.” W Magazine June 2007: 108.
Wulffson, Jennifer. “A Cautionary Tale, Eden’s Edge: Fifteen LA Artists.” X-tra 10.2 Winter 2007: 38-42.

2006
“Black Book: Shopping New York.” Departures November-December 2006: 67.
Christie, Tom and Holly Myers. “Artists of LA Weekly’s Annual Biennial.” LA Weekly 8-14
September 2006: 36-48.
Davis, Ben. “Bright Young Things.” Art Review December2005-January 2006: 100-104.
Garcia, Kathryn. “Fragile Pleasure.” Artnet.com July 2006
Harvey, Doug. “#1 Combo: A full serving of Rauschenberg, with a side of Youngblood and
Hundley.” LA Weekly 24 May 2006.
Myers, Holly. “The Master and his followers.” Los Angeles Times 31 March 2006: E25.
Nunez-Fernandez, Lupe. “Out of the Shadows.” Art Review March-April 2006: 76-79.
Ollman, Leah. “Anxiety is part of the rich landscape.” Los Angeles Times 2 June 2006: E18, E19. 
Taft, Catherine. Hammer Project. Los Angeles: Hammer Museum, 2006.
Taft, Catherine. “Rough Trade.” Artforum.com 11 April 2006.
Taft, Catherine. “Metamorphoses.” Art Review October 2006: 85- 87.

2005
Davis, Ben. “Bright Young Things.” Art Review December 2005: 100-104.
Finkel, Jori. “First Come the Dealers, and then the Diplomas.” New York Times 3 July 2005: AR 22, 23.
Finkel, Jori. “Los Angeles artists get the buzz.” International Herald Tribune 7 July 2005.
Harvey, Doug. “State of Emergence, undiscovered cracks in the art-world infrastructure: a
catalog.” LA Weekly 28 October 2005: 46-47.
Jones, Leslie. “Paper Beats Rock.” Art on Paper September-October 2005: 68-69.
Knight, Christopher. “Fresh Original Voices in L.A.” Los Angeles Times 28 October 2005: E26-27.
Smith, Roberta. “Desired Constellations.” New York Times 5 August 2005.
Valentine, Christina. “Paper Beats Rock.” Artweek September 2005: 22. 

2003
Harvey, Doug. “Apocalypse Maintenant.” LA Weekly 1-7 August 2003: 51.

2002
Harrison, Sue. “Hundley pinpoints order & chaos.” Provincetown Banner 14 February 2002: 29,31.
McQuaid, Cate. “Some shining moments from P-town artists at Mills Gallery.” The Boston Globe 16 August 2002.
Silver, Joanne. “P-town stirs wave of creativity.” Boston Herald 16 August 2002: S14.

2001
Harrison, Sue. “FAWC Fellows Show at PAAM.” Provincetown Banner 20 December 2001: 33. 

 

RESIDENCIES

2003 Bemis Center for Contemporary Art, Omaha, NE
2002 Vermont Studio Center
2001 Fine Arts Work Center, Provincetown, MA

 

SELECTED PUBLIC COLLECTIONS

Armand Hammer Museum, Los Angeles
Broad Art Foundation, Los Angeles
Istanbul Museum of Modern Art
Los Angeles County Museum of Art
Louisiana Museum of Modern Art, Humblebaek, Denmark
Museum of Contemporary Art, Los Angeles
Museum of Modern Art, New York
Nasher Sculpture Center, Dallas
Pérez Art Musuem, Miami
San Francisco Museum of Modern Art
Solomon R. Guggenheim Museum, New York
Walker Art Center, Minneapolis
Weatherspoon Museum of Art, Greensboro, North Carolina
Whitney Museum of American Art, New York

 

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